Of this very remarkable ballad two copies have been printed in English, _Sir Aldingar_, from the Percy MS. (_Reliques_, ii. 53), "with conjectural emendations and the insertion of some additional stanzas," and _Sir Hugh Le Blond_, by Scott, from recitation. The corresponding Danish ballad, _Ravengaard og Memering_, first published by Grundtvig, is extant in not less than five copies, the oldest derived from a MS. of the middle of the 16th century, the others from recent recitations. With these Grundtvig has given an Icelandic version, from a MS. of the 17th century, another in the dialect of the Faroe Islands, and a third half Danish, half Faroish, both as still sung by the people. The ballad was also preserved, not long ago, in Norway.--_Danmarks Gamle Folkeviser_, i. 177-213, ii. 640-645. All these ballads contain a story one and the same in the essential features--a story which occurs repeatedly in connection with historical personages, in Germany, France, Italy, and Spain, as well as England,--and which has also furnished the theme for various modern romances, poems, and tragedies. The connection of the different forms of the legend has been investigated by the Danish editor at considerable length and with signal ability; and we shall endeavor to present the principal results of his wide research in the few pages which our narrow limits allow us to give to such questions. The names of the characters in the Danish ballads are Henry (called Duke of Brunswick and of Schleswig in the oldest), Gunild (of Spires, called also Gunder), Ravengaard, and Memering. To these correspond, in the English story, King Henry, Queen Eleanor, Sir Aldingar (the resemblance of this name to Ravengaard will be noted), and a boy, to whom no name is assigned. Eleanor, it hardly need be remarked, is a queen's name somewhat freely used in ballads (see vol. vi. 209, and vol. vii. 291), and it is possible that the consort of Henry II. is here intended, though her reputation both in history and in song hardly favors that supposition.