Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
considerably in spirit and variety by combining with the other shows.
Was it not natural, therefore, and in fact inevitable, that the old
favorites of the populace, Robin Hood, Friar Tuck, and Little John,
should in the course of time displace three of the anonymous
performers in the show? This they had pretty effectually done at the
beginning of the 16th century, and the Lady, who had accepted the more
precise designation of Maid Marian, was after that generally regarded
as the consort of Robin Hood, though she sometimes appeared in the
Morris without him. In like manner, the Hobby Horse was quite early
adopted into the Morris, of which it formed no original part, and at
last even a Dragon was annexed to the company. Under these
circumstances we cannot be surprised to find the principal performers
in the May pageants passing the one into the other; to find the May
King, whose occupation was gone when the fascinating outlaw had
supplanted him in the favor of the Lady, assuming the part of the
Hobby Horse,[20] Robin Hood usurping the title of King of the May,[21]
and the Hobby Horse entering into a contest with the Dragon, as St.
George.
We feel obliged to regard this interchange of functions among the
characters in the English May pageants as fortuitous, notwithstanding
the coincidence of the May King sometimes appearing on horseback in
Germany, and notwithstanding our conviction that Kuhn is right in
maintaining that the May King, the Hobby Horse, and the Dragon-slayer,
are symbols of one mythical idea. This idea we are compelled by want
of space barely to state, with the certainty of doing injustice to the
learning and ingenuity with which the author has supported his views.
Kuhn has shown it to be extremely probable, first, that the Christmas
games, which both in Germany and England have a close resemblance to
those of Spring, are to be considered as a prelude to the May sports,
and that they both originally symbolized the victory of Summer over
Winter,[22] which, beginning at the winter solstice, is completed in
the second month of Spring; secondly, that the conquering Summer is
represented by the May King, or by the Hobby Horse (as also by the
Dragon-slayer, whether St. George, Siegfried, Apollo, or the Sanskrit
Indras); and thirdly, that the Hobby Horse in particular represents
the god Woden, who, as well as Mars[23] among the Romans, is the god
at once of Spring and of Victory.
Public-domain text, read in full here on John Shaqi.
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