Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
We do not therefore attribute much value to the theory of Mr. Wright,
that the May festival was, in its earliest form, "a religious
celebration, though, like such festivals in general, it possessed a
double character, that of a religious ceremony, and of an opportunity
for the performance of warlike games; that, at such festivals, the
songs would take the character of the amusements on the occasion, and
would most likely celebrate warlike deeds--perhaps the myths of the
patron whom superstition supposed to preside over them; that, as the
character of the exercises changed, the attributes of the patron would
change also, and he who was once celebrated as working wonders with
his good axe or his elf-made sword, might afterwards assume the
character of a skilful bowman; that the scene of his actions would
likewise change, and the person whose weapons were the bane of dragons
and giants, who sought them in the wildernesses they infested, might
become the enemy only of the sheriff and his officers, under the
'grene-wode lefe.'" It is unnecessary to point out that the language
we have quoted contains, beyond the statement that warlike exercises
were anciently combined with religious rites, a very slightly founded
surmise, and nothing more.
Another circumstance which weighs much with Mr. Wright, goes but a
very little way with us in demonstrating the mythological character of
Robin Hood. This is the frequency with which his name is attached to
mounds, wells, and stones, such as in the popular creed are connected
with fairies, dwarfs, or giants. There is scarcely a county in England
which does not possess some monument of this description. "Cairns on
Blackdown in Somersetshire, and barrows near to Whitby in Yorkshire
and Ludlow in Shropshire, are termed Robin Hood's pricks or butts;
lofty natural eminences in Gloucestershire and Derbyshire are Robin
Hood's hills; a huge rock near Matlock is Robin Hood's Tor; ancient
boundary stones, as in Lincolnshire, are Robin Hood's crosses; a
presumed loggan, or rocking-stone, in Yorkshire, is Robin Hood's
penny-stone; a fountain near Nottingham, another between Doncaster and
Wakefield, and one in Lancashire, are Robin Hood's wells; a cave in
Nottinghamshire is his stable; a rude natural rock in Hope Dale is his
chair; a chasm at Chatsworth is his leap; Blackstone Edge, in
Lancashire, is his bed."[25] In fact, his name bids fair to overrun
every remarkable object of the sort which has not been already
appropriated to King Arthur or the Devil; with the latter of whom, at
least, it is presumed that, however ancient, he will not dispute
precedence.
Public-domain text, read in full here on John Shaqi.
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