English Caricature and Satire on Napoleon I. Volume 1 (of 2)Ashton, John
History
English Caricature and Satire on Napoleon I. Volume 1 (of 2)
Ashton, John
Napoleon I, Emperor of the French, 1769-1821 -- Caricatures and cartoons
Nay, more extraordinary than all, it was even pretended that he lived
some time in England. The _Birmingham Journal_ of April 21, 1855,
affirms, on the authority of Mr. J. Coleman of the Strand, who is now
104 years of age, and whose portrait and biographical sketch appeared
in the _Illustrated London News_, Feb. 1850, and who knew perfectly
well M. Bonaparte, who, while he lived in London, which was for five
weeks, in 1791 or 1792, lodged in a house in George Street, Strand,
and whose chief occupation appeared to be taking pedestrian exercise
in the streets of London. Hence his marvellous knowledge of the great
metropolis, which used to astonish any Englishmen of distinction,
who were not aware of the visit. I have also heard Mr. Matthews,
the grandfather of the celebrated comedian, Mr. Thomas Goldsmith of
the Strand, Mr. Graves, Mr. Drury, and my father, all of whom were
tradesmen in the Strand, in the immediate vicinity of George Street,
speak of this visit. He occasionally took his cup of chocolate at
the Northumberland, occupying himself in reading, and preserving a
provoking taciturnity to the gentlemen in the room; though his manner
was stern, his deportment was that of a gentleman.’
Timbs[22] endorses this statement, in identically the same words of
a portion of the above, which he fathers on old Mr. Matthews, the
bookseller in the Strand, but we must recollect that Mr. Timbs was
writing the ‘_Romance_ of London.’
A personal description of Napoleon in 1793 may be interesting,
especially as it comes from a trustworthy pen.[23] ‘At that period
of his life Bonaparte was decidedly ugly; he afterwards underwent a
total change. I do not speak of the illusive charm which his glory
spread around him, but I mean to say that a gradual physical change
took place in him in the space of seven years. His emaciated thinness
was converted into a fulness of face, and his complexion, which had
been yellow, and apparently unhealthy, became clear and comparatively
fresh; his features, which were angular and sharp, became round and
filled out. As to his smile, it was always agreeable. The mode of
dressing his hair, which has such a droll appearance as we see it in
the prints of the bridge of Arcola, was then comparatively simple,
for young men of fashion (the _Muscadins_), whom he used to rail at
so loudly at that time, wore their hair very long. But he was very
careless of his personal appearance; and his hair, which was ill-combed
and ill-powdered, gave him the look of a sloven. His little hands, too,
underwent a great metamorphosis: when I first saw him, they were thin,
long, and dark; but he was subsequently vain of the beauty of them, and
with good reason.
Public-domain text, read in full here on John Shaqi.
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