English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
MISTAKE OF THOSE WHO COMPARE MODERN CARICATURISTS WITH HOGARTH.
It is a common practice, and I may add mistake, with writers on comic
artists or caricaturists of our day, to compare them with Hogarth. Both
Hogarth and the men of our day are graphic satirists, but there is so
broad a distinction between the satire of each, and the circumstances of
the times in which they respectively laboured, that comparison is
impossible. Those who know anything of this great and original genius,
must know that he entertained the greatest horror of being mistaken for
a _caricaturist_ pure and simple; and although he executed caricatures
for special purposes, they may literally be counted on the fingers. "His
pictures," says Hazlitt, "are not imitations of still life, or mere
transcripts of incidental scenes and customs; but powerful _moral_
satires, exposing vice and folly in their most ludicrous points of view,
and with a profound insight into the weak sides of character and
manners, in all their tendencies, combinations, and contrasts. There is
not a single picture of his containing a representation of mere
pictorial or domestic scenery." His object is not so much "to hold the
mirror up to nature," as "to show vice her own feature, scorn her own
image." "Folly is there seen at the height--the moon is at the full--it
is the very error of the time. There is a perpetual error of
eccentricities, a tilt and tournament of absurdities, pampered with all
sorts of affectation, airy, extravagant, and ostentatious! Yet _he is as
little a caricaturist_ as he is a painter of still life. Criticism has
not done him justice, though public opinion has."[4] "A set of severer
satires," says Charles Lamb, "(for they are not so much comedies, which
they have been likened to, as they are strong and masculine satires),
less mingled with anything of mere fun, were never written upon paper or
graven upon copper. They resemble Juvenal, or the satiric touches in
Timon of Athens."
[Illustration:
W. HOGARTH. "_Mariage a la Mode._"]
[Illustration:
PAUL SANDBY. _Anti-Hogarthian Caricature._
"A Mountebank Painter demonstrating to his admirers and subscribers
that crookedness is y^e most beautifull."
_Face p. 7._]
CHARACTER OF HOGARTH'S SATIRES.
Public-domain text, read in full here on John Shaqi.
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