English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
VI. CURVILINEAR.—But the great building period at Bristol was between
1315 and 1349—that short but brilliant period when English mediæval
design was at its best—which culminated in the Octagon and Lady chapel of
Ely, the choir-screens of Southwell and Lincoln, and the Percy monument
at Beverley. Everything east of the nave was pulled down and rebuilt
_de novo_. And a very remarkable design it is; in fact, quite unique
among our cathedrals. All other cathedral authorities had agreed long
ago that the cardinal fault in all Romanesque design was its bad system
of lighting, but that the remedy was to be found mainly in improving
the top-lighting—_i.e._, in increasing the dimensions of the clerestory.
Beverley clerestory had taller windows than Durham; Salisbury clerestory
had three windows for every one of Beverley; Exeter spread out its
windows in increasing breadth till they touched the buttresses on either
side; the clerestories of the choir of Gloucester, now in course of
erection, were a vast, lofty, continuous sheet of glass. But there was
an alternative system of improving the lighting, which in many large
churches, such as Grantham, Ledbury, and Leominster, was the result of
fortuitous growth, but which in the choir of the Temple Church, London,
and in Patrington Church now in course of erection, was the result of
deliberate design. It was to magnify the aisles at the expense of the
nave, to lift them up so high that windows of vast height could be
placed in their walls, to dispense with a clerestory altogether, and to
give to the pier-arcade of the nave the additional height gained by the
suppression of the clerestory. It was to substitute side-lighting for
top-lighting; to rely exclusively on the flood of light passing from
vast, lofty aisle windows into the nave through its elevated arches.
Hence the big windows of Bristol choir, each representing a pair of
windows; the lower half the usual small window of an aisle, the upper
half the larger window stolen from the clerestory.
[Illustration: BERKELEY CHAPEL.]
Public-domain text, read in full here on John Shaqi.
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