English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
A little later, but still in the Curvilinear period, the Berkeley chapel
was built, projecting southward from the easternmost bay of the south
aisle of the choir, and a sacristy by which it is approached. Here is
more skeleton-vault and much elaborate carving. The Newton chapel was
also built, projecting eastward from the south transept; and perhaps at
the same time the simple vault of the adjacent bay of the choir aisle was
put up. A curious and by no means pleasing characteristic of the Bristol
fourteenth-century architecture is the series of sepulchral recesses in
the walls; they remind one of the cloister doorway at Norwich.
VII. PERPENDICULAR.—Early in the fifteenth century a central tower was
added. Here again one is struck by the originality of the Bristol people;
it is as beautiful as it is original. Fifteenth-century tower design
rather runs in grooves. Gloucester, Evesham, Wrexham, Taunton, and the
Somerset towers are cast very much in a mould. It is not so with the
Bristol tower. The designer had noticed how beautiful is the effect of a
close-packed range of tall clerestory windows, such as those of Leighton
Buzzard Church. So, instead of restricting himself on each side of the
tower to one or two windows, he inserts no less than three. The range of
clerestory windows which the fourteenth-century builder refused to the
choir becomes the special ornament and glory of the tower.
VIII. In 1888 the new nave and western towers were completed by Mr.
Street. He can hardly be said to have made the most of his opportunities.
The new work is copied closely from the old, and so is somewhat
uninteresting. He had but to remedy some of the faults of the original
design: to omit the ugly skeleton vaulting of the aisles, to simplify the
vaulting of the choir, to discard the sepulchral recesses, to improve
on the design of the windows of the choir—in which, as at Ely, flowing
tracery is not seen at its best; and we should have had something
original and interesting. The new nave might have been a criticism of the
choir.
The Cathedral of Christ Church, Canterbury.
[Illustration: ST. MARTIN’S CHURCH.]
Public-domain text, read in full here on John Shaqi.
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