Behind him comes a gentleman in loose knee-breeches barred with
velvet; at the knee he has a frill of lace. His jerkin is not stuffed
out, and his ruff is not starched to stick up round his head. His hair
is cut in three points, one over each ear and the third over the
centre of his forehead, where we see a twisted lock tied with ribbon.
We seem to know these people well--very well. The first, whose clothes
are of white silk sewn with red and blue, whose trunk hose have clocks
of silk sewn on them, reminds us of whom? And the second gentleman in
green and red, with heels of red on his shoes? Suddenly there flashes
across our memory the picture of a lighted stage, a row of shops, a
policeman, and then a well-known voice calling, 'Hello, Joey, here we
are again!'
Here we are again after all these centuries--clown and pantaloon, the
rustic with red health on his face, the old man in Venetian slops--St.
Pantaloone--just as Elizabethan, humour included, as anything can well
be.
Then, enter Harlequin in his clothes of gorgeous patches; the quick,
almost invisible thief, the instigator of all the evil and magic. His
patches and rags have grown to symmetrical pattern, his loose doublet
has become this tight-fitting lizard skin of flashing gold and
colours, but his atmosphere recalls the great days.
To these enter 1830--Columbine--an early Victorian lady, who contrives
to look sweetly modest in the shortest and frilliest of skirts; she
looks like a rose, a rose on two pink stalks. She, being so different,
gives the picture just the air of magic incongruity. Once, years ago,
she was dressed in rags like Harlequin, but I suppose that the age of
sentiment clothed her in her ballet costume rather than see her in her
costly tatters.
We are a conservative nation, and we like our own old jokes so much
that we have kept through the ages this extraordinary pleasing
entertainment straight down, clothes and all, from the days of Queen
Elizabeth.
Even as we dream of this, and the harlequinade dazzles our eyes, the
dream changes--a new sound is heard, a sound from the remote past,
too. We listen eagerly, clown, pantaloon, harlequin, and columbine
vanish to the sound of the pan-pipes and the voice of Punch.
Public-domain text, read in full here on John Shaqi.
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