Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
Several of my Friends are anxious for the success of these Poems, from
a belief, that, if the views with which they were composed were
indeed realized, a class of Poetry would be produced, well adapted to
interest mankind permanently, and not unimportant in the quality, and
in the multiplicity of its moral relations: and on this account they
have advised me to prefix a systematic defence of the theory upon
which the Poems were written. But I was unwilling to undertake the
task, knowing that on this occasion the Reader would look coldly upon
my arguments, since I might be suspected of having been principally
influenced by the selfish and foolish hope of _reasoning_ him into an
approbation of these particular Poems: and I was still more unwilling
to undertake the task, because, adequately to display the opinions,
and fully to enforce the arguments, would require a space wholly
disproportionate to a preface. For, to treat the subject with the
clearness and coherence of which it is susceptible, it would be
necessary to give a full account of the present state of the public
taste in this country, and to determine how far this taste is healthy
or depraved; which, again, could not be determined, without pointing
out in what manner language and the human mind act and re-act on each
other, and without retracing the revolutions, not of literature alone,
but likewise of society itself. I have therefore altogether declined
to enter regularly upon this defence; yet I am sensible, that there
would be something like impropriety in abruptly obtruding upon the
Public, without a few words of introduction, Poems so materially
different from those upon which general approbation is at present
bestowed.
Public-domain text, read in full here on John Shaqi.
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