A beautiful binding of green velvet covers a Bible printed at Antwerp in
1590, measuring 7 by 4 inches. The design is the same on both sides, and
the book was apparently bound for 'T. G.,' whose initials are worked into
the design; a conventional arrangement of curving stems and flower forms
worked in gold cord, guimp, and small pearls thickly encrusted; the same
on both boards. The centre is a large conventional flower, in form
resembling a carnation, with serrated petals, having a garnet below it,
and flanked by the letters T. G., all thickly worked with reed pearls. In
each corner is a smaller flower--conventionalised forms probably of
honeysuckle and rose--joined together by curving stems of gold cord,
filled out with leaves and arabesques, all together forming a very
decorative panel. The outer border is richly worked with leaves and
arabesques in guimp and pearls, the outer line of gold cord being
ornamented with small triple points marked with pearls. The back is
divided into three spaces by curving lines of gold cord, and in each of
these spaces is worked one of the same conventionalised flower forms as
occur on the boards, _i.e._ a honeysuckle, cornflower, and rose, with
leaves and smaller curves of gold cord.
[Illustration: 28--Udall, Sermons. London, 1596. (_From a drawing_).]
The ground of the entire work is freely ornamented with gilt spangles
held down by small pieces of guimp, and with single pearls; the larger
of these are enclosed within circles of guimp, the smaller are simply
sewn on one by one.
There are remains of gilt clasps on the front edges of each of the
boards, and the edges of the leaves are gilt and gauffred, with a little
pale colour.
Udall, _Sermons_. London, 1596.
A few specimens of embroidered books were exhibited at the Burlington
Fine Arts Club in 1891. Among them was a charming velvet binding that
belonged to Queen Elizabeth, lent by S. Sandars, Esq., and now in the
University Library, Cambridge. It is a copy of Udall's _Sermons_,
printed in London in 1596, and is covered in crimson velvet, measuring
about 6 by 4 inches. The design is the same on each side, the royal
coat-of-arms applique, with the initials E. R., and a double rose in each
corner with stalks and leaves. The coat-of-arms is made up with pieces
of blue and red satin, the bearings heavily worked with gold thread, and
the ground also thickly studded with small straight pieces of guimp,
doubtless put there to insure the greater flatness of the satin. The
crown with which the coat-of-arms is ensigned is all worked in guimp,
and is without the usual cap. The ornaments on the rim are only
trefoils, and there are five arches.
The initials flanking the coat are worked in guimp, as are the corner
roses and leaves. The guimp used is apparently silver, and the cord used
for the outlines and stems is gold. The back has a gold line down the
middle and along the joints, with a wavy line of gold cord each side of
it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account