Folk dancing, English; Folk music -- England -- History and criticism; Folk songs, English -- England -- History and criticism
The ballad-seller was bound to provide new wares for his patrons, and
his trade could not go on without fresh material. Undoubtedly many of
the ballads he printed were a re-dishing up of old stories, and many
rhymesters, in default of newer ideas, fell back upon the Greek classic
stories for subject. In fact, the common person of the sixteenth
century might claim to be more familiar with the Homeric romance than
the average “man in the street” of to-day. These can scarcely be called
folk-ballads in the strictest sense, because they are evidently the
work of people educated enough to put such matter from the classic, as
well as from Italian authors, into doggerel verse.
The man of an earlier period was as anxious for novelty as he is
to-day. The only difference is this—at the present time novelties so
crowd upon him that they become stale very rapidly. In the “golden age”
people gave leisurely consideration to and digested that which was put
before them. Hence it was held tenaciously in memory, and ballads and
tales lost none of their interest.
The invention of printing wrought a great change in every direction,
and when the press gave forth the ballad sheet it produced a new era in
folk-singing. The ballad sheet is so inextricably mixed up with the
folk-song that, for a clear understanding, it will be necessary to
devote some pages to it later on.
It is a noteworthy fact that among our ballad literature we find
numbers of stories that are practically the same in other languages and
current in other countries. If we find, as we frequently do, a ballad
common amongst Scandinavian folk that is also known in England, or
perhaps Brittany, we cannot safely determine its original birthplace,
for there can be no doubt that popular folk-tales and ballads travelled
from one country to another in a very remarkable degree.
Scotland has always been famous for her wealth of dramatic ballads. No
man can read unmoved the many fine ballad narratives that are published
in her ballad books, and without wondering whence came the rich flow of
fancy and poetic beauty that inspired them.
In spite of all that has been written, much regarding the Scottish
ballads remains a mystery. The early collectors appear to have had
little scruple in regard to the ballads being printed exactly as
received.
Public-domain text, read in full here on John Shaqi.
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