England -- Description and travel; James, Henry, 1843-1916 -- Travel -- England
This is what I mean by calling London democratic. You may be in it, of
course, without being of it; but from the moment you _are_ of it—and
on this point your own sense will soon enough enlighten you—you belong
to a body in which a general equality prevails. However exalted,
however able, however rich, however renowned you may be, there are too
many people at least as much so for your own idiosyncrasies to count.
I think it is only by being beautiful that you may really prevail
very much; for the loveliness of woman it has long been noticeable
that London will go most out of her way. It is when she hunts that
particular lion that she becomes most dangerous; then there are really
moments when you would believe, for all the world, that she is thinking
of what she can give, not of what she can get. Lovely ladies, before
this, have paid for believing it, and will continue to pay in days
to come. On the whole the people who are least deceived are perhaps
those who have permitted themselves to believe, in their own interest,
that poverty is not a disgrace. It is certainly not considered so in
London, and indeed you can scarcely say where—in virtue of diffusion—it
would more naturally be exempt. The possession of money is, of course,
immensely an advantage, but that is a very different thing from a
disqualification in the lack of it.
Good-natured in so many things in spite of her cynical tongue, and
easy-going in spite of her tremendous pace, there is nothing in which
the large indulgence of the town is more shown than in the liberal
way she looks at obligations of hospitality and the margin she allows
in these and cognate matters. She wants above all to be amused;
she keeps her books loosely, doesn’t stand on small questions of a
chop for a chop, and if there be any chance of people’s proving a
diversion, doesn’t know or remember or care whether they have “called.”
She forgets even if she herself have called. In matters of ceremony
she takes and gives a long rope, wasting no time in phrases and
circumvallations. It is no doubt incontestable that one result of her
inability to stand upon trifles and consider details is that she has
been obliged in some ways to lower rather portentously the standard
of her manners. She cultivates the abrupt—for even when she asks you
to dine a month ahead the invitation goes off like the crack of a
pistol—and approaches her ends not exactly _par quatre chemins_. She
doesn’t pretend to attach importance to the lesson conveyed in Matthew
Arnold’s poem of “The Sick King in Bokhara,” that,
“Though we snatch what we desire,
We may not snatch it eagerly.”
Public-domain text, read in full here on John Shaqi.
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