Witch_, in Thornbury's _Legendary Ballads_, which contains no less than twenty of Lawless's _Once a Week_ designs. In vol. viii. are two, _The Linden Trees_ (p. 644) and _Gifts_ (p. 712). In vol. ix. three only: _Faint heart never won fair lady_ (p. 98), _Heinrich Frauenlob_ (p. 393), and _Broken Toys_ (p. 672). In vol. x. appears the last of Lawless's contributions, and, as some think, his finest, _John of Padua_ (p. 71). The first work by Frederick Sandys in _Once a Week_ will be found in vol. iv.: it is not, as the index tells you, _The Dying Hero_, on page 71, which is wrongly attributed to him; _Yet once more on the Organ play_ (p. 350) is by Sandys, as is also _The Sailor's Bride_ (p. 434) in the same volume. In vol. v. are three, _From my Window_ (p. 238), _The three Statues of Ægina_ (p. 491), and _Rosamund, Queen of the Lombards_ (p. 631). In vol. vi. we find _The Old Chartist_ (p. 183), _The King at the Gate_ (p. 322), and _Jacques de Caumont_ (p. 614). In vol. vii. _Harold Harfagr_ (p. 154), _The Death of King Warwolf_ (p. 266), and _The Boy Martyr_ (p. 602). Thence, with the exception of _Helen and Cassandra_, published as a separate plate with the issue of April 28, 1866 (p. 454), no more Sandys are to be found. To _Once a Week_ Holman Hunt contributed but three illustrations: _Witches and Witchcraft_ (ii. p. 438), _At Night_ (iii. p. 102), and _Temujin_ (iii. p. 630); yet this very scanty representation is not below the average proportion of the work of this artist in black and white compared with his more fecund contemporaries. A still more infrequent illustrator, J. M'Neill Whistler, is met with four times in _Once a Week_, and, I believe, but twice elsewhere. Speaking of the glamour shed upon the magazine by its Sandys drawings, it is but just to own that to another school of artists these four 'Whistlers' were responsible for the peculiar veneration with which they regarded an old magazine. The illustrations to _The Major's Daughter_ (vi. p. 712), _The Relief Fund in Lancashire_ (vii. p. 140), _The morning before the Massacre of St. Bartholomew_ (vii. p. 210), and _Count Burckhardt_ (vii. p. 378), a nun by a window, are too well known to need comment. That they show the exquisite sense of the value of a line, and have much in common with the artist's etchings of the same period, is evident enough.