English Lands, Letters and Kings, vol. 1: From Celt to TudorMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 1: From Celt to Tudor
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Ruined remnants of the Iona monastery are still to be found on that
little Western island--within hearing almost of the waves that surge
into the caves of Staffa. And from this island stand-point, the monkish
missions were established athwart Scotland; finding foothold too all down
the coast of Northumberland. Early among these and very notable, was the
famous Abbey of Lindisfarne or the Holy Isle, not far southward from
the mouth of the Tweed. You will recall the name as bouncing musically,
up and down, through Scott’s poem of “Marmion.” A little farther to
the south, upon the Yorkshire coast, came to be established, shortly
afterward, the Whitby monastery; its ruins make now one of the shows of
Whitby town--one of the favorite watering places of the eastern coast
of England, and well known for giving its name to what is called Whitby
jet--which is only a finer sort of bituminous coal, of which there are
great beds in the neighborhood.[8] The Abbey ruin is upon heights, from
which are superb views out upon the German Sea that beats with grand
uproar upon the Whitby cliffs. To the westward is the charming country of
Eskdale, and by going a few miles southward one may come to Robinhood’s
bay; and in the intervening village of Hawsker may be seen the two stones
said to mark the flight of the arrows of Robinhood and Little John, when
they tried their skill for the amusement of the monks of Whitby.
_Cædmon._
Well, in the year of our Lord 637, this Whitby Abbey was founded by
the excellent St. Hilda, and it was under her auspices, and by virtue
of her saintly encouragements, that the first true English poet,
Cædmon, began to sing his Christian song of the creation. He was but
a cattle-tender--unkempt--untaught, full of savagery, but with a fine
phrenzy in him, which made his paraphrase of Scripture a spur, and
possibly--in a certain imperfect sense, a model for the muse of John
Milton.
Of the chaos before creation, he says:--
Earth’s surface was
With grass not yet be-greened; while far and wide
The dusky ways, with black unending night
Did ocean cover.
Of the great Over-Lord God-Almighty, he says--
In Him, beginning never,
Or origin hath been; but he is aye supreme
Over heaven’s thrones, with high majesty
Righteous and mighty.
And again,--that you may make for yourselves comparison with the
treatment and method of Milton,--I quote this picture of Satan in hell:--
Public-domain text, read in full here on John Shaqi.
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