English Lands, Letters and Kings, vol. 2: From Elizabeth to AnneMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 2: From Elizabeth to Anne
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Perhaps Ben Jonson will come swaggering in, having taken a glass, or two,
very likely, or even three, in the tap-room of the Tabard Tavern--the
famous Tabard of Chaucer’s tales--which is within practicable drinking
distance; and Will Shakespeare, if indeed there, may greet him across two
benches with, “Ah, Ben,” and he--tipsily in reply, with “Ah, my good
fellow, Will.” Those prim young men, Beaumont and Fletcher, who are just
now pluming their wings for such dramatic flights as these two older men
have made, may also be there. And the play will open with three little
bursts of warning music; always a prologue with a first representation;
and it may chance that the very one we have lighted upon, is some special
exhibit of that great military spectacle of “Henry V.” which we know, and
all the times between have known; and it may be that this Shakespeare,
being himself author and in a sense manager of these boards, may come
forward to speak the prologue himself; how closely we would have eyed him,
and listened:--
“Pardon, gentles all;
The flat, unraiséd spirit, that hath dared
On this unworthy scaffold to bring forth
So great an object: Can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O, the very casques
That did affright the air at Agincourt?
Piece out our imperfections with your thoughts,
Into a thousand parts divide one man;
Think, when we talk of horses, that you see them
Printing their proud hoofs i’ the receiving earth,
For ’tis your thoughts that now must deck our kings,
Carry them here and there, jumping o’er times;
Turning the accomplishment of many years
Into an hour-glass.”
And then the play begins and we see them all: Gloucester and the brave
king, and Bedford, and Fluellen, and the pretty Kate of France (by some
boy-player), and Nym, and Pistol, and Dame Quickly; and the drums beat,
and the roar of battle breaks and rolls away--as only Shakespeare’s words
can make battles rage; and the French Kate is made Queen, and so the end
comes.
All this might have happened; I have tried to offend against no historic
data of places, or men, or dates in this summing up. And from the doors of
the Globe, where we are assailed by a clamor of watermen and linkboys, we
go down to the river’s edge--scarce a stone’s-throw distant--and take our
wherry, on the bow of which a light is now flaming, and float away in the
murky twilight upon that great historic river--watching the red
torch-fires, kindling one by one along the Strand shores, and catching the
dim outline of London houses--the London of King James I.--looming
through the mists behind them.
In our next chapter I shall have somewhat more to say of the Stratford
man--specially of his personality; and more to say of King James, and of
his English Bible.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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