English Lands, Letters and Kings, vol. 2: From Elizabeth to AnneMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 2: From Elizabeth to Anne
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
And herein lies the difference between this man Shakespeare, and most that
went before him, or who have succeeded him; he has supplied real
characters to count up among the characters we know. Chaucer did indeed in
that Canterbury Pilgrimage which he told us of in such winning numbers,
make us know by a mere touch, in some unforgetable way, all the outer
aspects of the Knight, and the Squire, and the Prioress, and the shrewish
Wife of Bath; but we do not see them insidedly; and as for the Una, and
Gloriana, and Britomart, of the “Faërie Queene,” they are phantasmic; we
may admire them, but we admire them as we admire fine bird-plumes tossing
airily, delightsomely--they have no flesh and blood texture: and if I were
to name to you a whole catalogue of the best-drawn characters out of
Jonson, and Fletcher, and Massinger, and the rest, you would hardly know
them. Will you try? You may know indeed the Sir Giles Overreach of
Massinger, because “A New Way to Pay Old Debts” has always a certain
relish; and because Sir Giles is a dreadful type of the unnatural, selfish
greed that maddens us everywhere; but do you know well--Sejanus, or
Tamburlaine, or Bellisant, or Boadicea, or Bellario, or Bobadil, or
Calantha? You do not even know them to bow to. And this, not alone because
we are unused to read or to hear the plays in which these characters
appear, but because none of them have that vital roundness, completeness,
and individuality which makes their memory stick in the mind, when once
they have shown their qualities.
We are, all of us, in the way of meeting people in respect of whom a week,
or even a day of intercourse, will so fasten upon us--maybe their
pungency, their alertness, or some one of their decided, fixed, fine
attributes, that they thenceforth people our imagination; not obtrusively
there indeed, but a look, a name, an allusion, calls back their special
significance, as in a photographic blaze. Others there are, in shoals,
whom we may meet, day by day, month by month, who have such washed-out
color of mind, who do so take hues from all surroundings, without any
strong hue of their own, that in parting from them we forget, straightway,
what manner of folk they were. You cannot part so from the people
Shakespeare makes you know.
_Shakespeare’s Youth._
And now what was the personality of this man, who, out of his imagination,
has presented to us such a host of acquaintances? Who was he, where did
he live, how did he live, and what about his father, or his children, or
his family retinue?
Public-domain text, read in full here on John Shaqi.
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