English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges — John Shaqi
English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
But this strange creature, Horace Walpole, is {85} known best of all by
his letters[17]--nine solid volumes of them, big octavo--covering
nearly the whole of his life and addressed to a half score or so of men
and women on all possible topics except any serious one; and all made
ready, with curious care, for publication when his death should come.
On that one point he did have serious belief--he believed he should
die. This great budget of his letters is one of the most extraordinary
products--if we may call it so--of literature. It is hard to say what
is not touched upon in them; if he is robbed, you hear how a voice out
of the night said "stop"--how he slipped his watch under his
waistband--how he gave up his purse with nine guineas in it--how Lady
Browne was frightened and gave up _her_ watch; if the king has gout in
his toe you hear of that; if he goes to the palace he tells you who was
in the ante-room and how two fellows were sweeping the floor, dancing
about in sabots; how the Duc of Richelieu was pale except his nose,
"which is red and wrinkled." Great hoops with brocade dresses come
sailing into {86} his letters; so do all the scandals about my lady
_this_, or the duchess _that_; so do the votes in Parliament and
reports about the last battle, if a war is in progress; and the French
news, and new things at Strawberry Hill--over and over. And he does
not think much of Gibbon, and does not think much of Dr. Johnson--who
"has no judgment and no taste;" and why doesn't his friend Mason[18] (a
third-rate poet) "show up the doctor and make an end of him?"--which is
much like saying that Mr. Wardle's fat boy should make an end of Mr.
Pickwick.
Yet do not think there is no art in all this, and that you would not
like them: there is art of the highest gossipy kind; and I can readily
understand how his correspondents all relished immensely his letters
whenever they came. There is humor and sparkle, and there are delicate
touches; he approaches his lighter topics as a humming-bird approaches
flowers--a swift dart {87} at them--a sniff, a whirl of wings, and away
again.
Then he has that rare literary instinct of knowing just what each
correspondent would like best to hear of--that's the secret of writing
letters that will be welcome. You cannot interchange his letters. He
tickles Lady Ossory's ear with sheerest gossip, and Lady Suffolk with
talk of dress and of the last great Paris ball, and the poet Mason with
bookish platitudes, and Conway with the leakings of political talk, and
Cole with twaddle on art or science. You want to turn your back on him
again and again for his arrant snobbish pretensions or some weak and
violent prejudice; yet you want to listen again and again. It is such
a pretty, lively, brisk, frolicsome, _pétillant_ small-beerish talk,
that engages and does not fatigue, and piques appetite yet feeds you
with nothings.
Public-domain text, read in full here on John Shaqi.
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