English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
The bride is represented as not over-comely, and as one--of good
judgment in most matters--who resorted to some vulgar appliances for
making the most of her "good looks." Lord Macaulay[21] uses a very
rampant rhetoric in his encyclopædic {91} mention of the paint she put
upon her cheeks. With the aid of her £800, Johnson determined to set
up a boarding-school for young gentlemen; a gaunt country-house three
miles out of Lichfield was rented and equipped and advertised; but the
young gentlemen did not come.
How could they be won that way? The mistress frowsy, simpering,
ancient, painted, and becurled; and Mr. Johnson, gaunt, clumsy,
squinting--one side of his face badly scarred with some early surgical
cut; one eye involved and drooping, and a twitchy St. Vitus's dance
making all uglier. What boy would not dread a possible whipping from
such a master, and what mamma would not tremble for her boy? Yet I do
not believe he ever whipped hard, when he had occasion; he was
kind-hearted; but his scolds at a false syntax must have been terrific
and have made the floors shiver.
Among the boys who did venture to that Edial school was one David
Garrick, whose father had been a friend of the elder Johnson; and when
the school broke up--as it did presently--Johnson and David Garrick set
out together for London, to {92} seek their fortune--carrying letters
to some booksellers there; and Johnson carrying that half-written
tragedy of _Irene_ in his pocket. Garrick's rise began early, and was
brilliant, but of this we cannot speak now. Johnson knocked about
those London streets--translating a little, jobbing at books a little,
starving and scrimping a great deal. He fell in early with a certain
Richard Savage,[22] a wild, clever, disorderly poet, as hard pinched as
Johnson. According to his story, he was the son of the Countess
Macclesfield, but disowned by her--he only coming to knowledge of his
parentage through accident, when he was grown to manhood. Johnson
tells the pathetic tale of how Savage paced up and down, at night, in
sight of his mother's palatial windows, gazing grief-smitten at them,
and yearning for the maternal recognition, which the heartless,
dishonored woman refused. So, this castaway runs to drink and all
deviltries; Johnson staying him much as {93} he can--walking with him
up and down through London streets till midnight--talking poetry,
philosophy, religion; hungry both of them, and many a time with only
ten pence between them.
Well, at last, Savage kills his man in a tavern broil; would have been
hung--the mother countess (as the story runs) hoping it would be so;
but he escapes, largely through the influence of that Queen Caroline,
to whom Jeanie Deans makes her eloquent plea in Scott's ever-famous
novel of _The Heart of Mid-Lothian_. Savage escapes, but 'tis only to
go to other bad ways, and at last he died in a Bristol jail.
Public-domain text, read in full here on John Shaqi.
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