English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges — John Shaqi
English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
And so on--to a Compton, a Lady Germaine, a Duke, in nauseous
succession. In fact, he seemed incapable of using any colors but gaudy
or resplendent ones, and is nothing if not exaggerated, and using heaps
of words. Would you hear how he puts Jonah into the whale's mouth?--
"As yawns an earthquake, when imprisoned air
Struggles for vent, and lays the centre bare,
The whale expands his jaws' enormous size.
The prophet views the cavern with surprise,
Measures his monstrous teeth, afar descried,
And rolls his wondering eyes from side to side,
Then takes possession of the spacious seat
And sails secure within the dark retreat."
This is from his poem of the _Last Day_, which has some of his best
work in it. He wrote flattering words of Addison, which Addison could
not return in the same measure. He had acquaintance with Pope, with
Swift, with Lady Mary Montagu, and others whom he counted worth
knowing. He made a vain run for Parliament, and ended by taking church
orders somewhat late in life--staying {18} one of his plays,[12] which
was just then in rehearsal, as inconsistent with his new duties. He
married the elegant widowed daughter of an earl, who died not many
years thereafter; and from this affliction, and his brooding over it,
came his best-known poem of _Night Thoughts_. It had great currency in
England, and was admired, and translated, and read largely upon the
Continent. For many a year, a copy of Young's mournful, magniloquent
poem, bound in morocco and gilt-edged, was reckoned one of the most
acceptable and worthy gifts to a person in affliction.
[Sidenote: Young's Night Thoughts.]
But of a surety it has not the same hold upon people in this century
that it had in the last. There are eloquent passages in it--passages
almost rising to sublimity. His love of superlatives and of wordy
exaggerations served him in good stead when he came to talk of the
shortness of time, and the length of eternity, and the depth of the
grave, and the shadows of death. Amidst these topics he moved on the
great sable pinions of his muse with {19} a sweep of wing, and a
steadiness of poise, that drew a great many sorrowing and pious souls
after him.
This is his Apostrophe to Night:
"O majestic Night!
Nature's great ancestor! Day's elder born!
And fated to survive the transient sun!
By mortals and immortals seen with awe!
A starry crown thy raven brow adorns,
An azure zone thy waist; clouds in Heaven's loom
Wrought through varieties of drapery divine
Thy flowing mantle form, and heaven throughout
Voluminously pour thy pompous train."
Public-domain text, read in full here on John Shaqi.
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