English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
It happens by and by to this impractical man, from whose disorderly and
always open hand inherited moneys have slipped away; it happens--I
say--that he must earn his bread by his own toil; so he projects great
works of philosophy, of political economy, which are to revolutionize
opinions; but they topple over into opium dreams before they are realized.
He tries editing a county paper, but it is nought. At last he utilizes
even his vices, and a chapter of the _Confessions of an Opium Eater_, in
the _London Magazine_, draws swift attention to one whose language is as
vivid as a flame; and he lays bare, without qualm, his own quivering
sensibilities. This spurt of work, or some new craze, takes him to London,
away from his family. And so on a sudden, that idyl of life among the
Lakes becomes for many years a tattered and blurred page to him. He is
once more a denizen of the great city, living a shy, hermit existence
there; long time in a dim back-room of the publisher Bohn’s, in Bedford
Street, near to Covent Garden. He sees Proctor and Hazlitt odd-whiles, and
Hood, and still more of the Lambs; but he is peevish and distant, and
finds largest company in the jug of laudanum which brings swift succeeding
dreams and stupefaction.
We will have a taste of some of his wild writing of those days. He is
speaking of a dream.
“The dream commenced with a music of preparation and of awakening
suspense; a music like the opening of the Coronation Anthem, and
which, like that, gave the feeling of a vast march; of infinite
cavalcades filing off, and the tread of innumerable armies. The
morning was come of a mighty day, a day of crisis and of final hope
for human nature, then suffering some mysterious eclipse, and
laboring in some dread extremity. Somewhere, I knew not
where--somehow, I knew not how--by some beings, I knew not whom--a
battle, a strife, an agony was conducting, was evolving like a great
drama or a piece of music.… I had the power, and yet had not the
power to decide it … for the weight of twenty Atlantes was upon me
as the oppression of inexpiable guilt. Deeper than ever plummet
sounded, I lay inactive. Then, like a chorus, the passion deepened;
there came sudden alarms, hurrying to and fro, trepidations of
innumerable fugitives, I know not whether from the good cause or the
bad; darkness and lights; tempest and human faces; and at last, with
the sense that all was lost, female forms, and the features that
were worth all the world to me, and but a moment allowed--and
clasped hands and heart-breaking partings, and then everlasting
farewells! and with a sigh such as the caves of hell sighed when the
incestuous mother uttered the abhorred name of Death, the sound was
reverberated--everlasting farewells! and again, and yet again
reverberated--everlasting farewells!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account