English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria — John Shaqi
English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
A Londoner we encounter--Crabb Robinson, full of gossip and
conventionalities; and also that cautious, yet sometimes impassioned
Scottish bard who sang of _Hohenlinden_, and of _Gertrude of Wyoming_.
Next, we have asked readers to share our regalement, in wandering along
the Tweed banks, and in rekindling the memories of the verse, the home,
and the chivalric stories of the benign master of Abbotsford, for
whom--whatever newer literary fashions may now claim allegiance and
whatever historic _quid-nuncs_ may say in derogation--I think there are
great multitudes who will keep a warm place in their hearts and easily
pardon a kindred warmth in our words.
After Dryburgh, and its pall, we have in these pages found our way to
Edinboro’, and have sketched the beginners, and the beginnings of that
great northern quarterly, which so long dominated the realm of British
book-craft, and which rallied to its ranks such men as Jeffrey and the
witty Sydney Smith, and Mackintosh and the pervasive and petulant
Brougham--full of power and of pyrotechnics. These great names and their
quarterly organ call up comparison with that other, southern and
distinctive Quarterly of Albemarle Street, which was dressed for literary
battle by writers like Gifford, Croker, Southey, and Lockhart.
The Prince Regent puts in an appearance in startling waistcoats and
finery--vibrating between Windsor and London; so does the bluff
Sailor-King William IV. Next, Walter Savage Landor leads the drifting
paragraphs of our story--a great, strong man; master of classicism, and
master of language; now tender, and now virulent; never quite master of
himself.
Of Leigh Hunt, and of his graceful, light-weighted, gossipy literary
utterance, there is indulgent mention, with some delightful passages of
verse foregathered from his many books. Of Thomas Moore, too, there is
respectful and grateful--if not over-exultant--talk; yet in these swift
days there be few who are tempted to tarry long in the “rosy bowers by
Bendemeer.”
From Moore and the brilliant fopperies of “The First Gentleman of Europe,”
we slip to the disorderly, but pungent and vivid essays of Hazlitt--to the
orderly and stately historic labors of Hallam, closing up our chapter with
the gay company who used to frequent the brilliant salon of the Lady
Blessington--first in Seamore Place, and later at Gore House. There we
find Bulwer, Disraeli (in his flamboyant youth-time), the elegant Count
d’Orsay, and others of that train-band.
Public-domain text, read in full here on John Shaqi.
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