English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
We should count this, and justly, rather over-fine writing nowadays. Yet
it is throughout stamped with the peculiarities of Christopher North; he
cannot help his delightfully wanton play with language and sentiment; and
into whatever sea of topics he plunged--early or late in life--he always
came up glittering with the beads and sparkles of a highly charged
rhetoric. Close after Oxford comes that idyllic life[14] in Windermere to
which I have referred. Four or more years pass there; his trees grow
there; his new roads--hewn through the forests--wind there; he plots a new
house there; he climbs the mountains; he is busy with his boats. Somewhat
later he marries; he does not lose his old love for the poets of the Greek
anthology; he has children born to him; he breeds game fowls, and looks
after them as closely as a New England farmer’s wife after her poultry;
but with him poetry and poultry go together. There are old diaries of
his--into which his daughter gives us a peep--that show such entries as
this:--“The small Paisley hen set herself 6th of July, with no fewer than
nine eggs;” and again--“Red pullet in Josie’s barn was set with eight eggs
on Thursday;” and square against such memoranda, and in script as careful,
will appear some bit of verse like this:--
“Oh, fairy child! what can I wish for thee?
Like a perennial flowret may’st thou be,
That spends its life in beauty and in bliss;
Soft on thee fall the breath of time,
And still retain in heavenly clime
The bloom that charms in this.”
He wrote, too, while living there above Windermere, his poem of the _Isle
of Palms_; having a fair success in the early quarter of this century, but
which was quickly put out of sight and hearing by the brisker, martial
music of Scott, and by the later and more vigorous and resonant verse of
Byron.
Indeed, Wilson’s poetry was not such as we would have looked for from one
who was a “varra bad un to lick” at a wrestling bout, and who made the
splinters fly when his bludgeon went thwacking into a page of
controversial prose. His verse is tender; it is graceful; it is delicate;
it is full of languors too; and it is tiresome--a gentle girlish treble of
sound it has, that you can hardly associate with this brawny mass of
manhood.
_Wilson in Scotland._
Public-domain text, read in full here on John Shaqi.
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