English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria — John Shaqi
English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
I slept at the George Inn--dreaming (as many a young wayfarer in those
lands has since done), of Ivanhoe and Rebecca, and border wars and _Old
Mortality_. Next morning, after a breakfast upon trout taken from some
near stream (very likely the Yarrow or the Gala-water), I strolled two
miles or so along the road which followed the Tweed bank upon the southern
side, and by a green foot-gate entered the Abbotsford grounds. The forest
trees--not over high at that time--were those which the master had
planted. From his favorite outdoor seat, sheltered by a thicket of
arbor-vitæ, could be caught a glimpse of the rippled surface of the Tweed
and of the turrets of the house.
It was all very quiet--quiet in the wood-walks; quiet as you approached
the court-yard; the master dead; the family gone; I think there was a yelp
from some young hound in an out-building, and a twitter from some birds I
did not know; there was the unceasing murmur of the river. Besides these
sounds, the silence was unbroken; and when I rang the bell at the entrance
door, the jangle of it was very startling; startling a little terrier,
too, whose quick, sharp bark rang noisily through the outer court.
Only an old house-keeper was in charge, who had fallen into that dreadful
parrot-like way of telling visitors what things were best worth
seeing--which frets one terribly. What should you or I care (fresh from
_Guy Mannering_ or _Kenilworth_) whether a bit of carving came from
Jedburgh or Kelso? or about the jets in the chandelier, or the way in
which a Russian Grand Duke wrote his name in the visitors’ book?
But when we catch sight of the desk at which the master wrote, or of the
chair in which he sat, and of his shoes and coat and cane--looking as if
they might have been worn yesterday--these seem to bring us nearer to the
man who has written so much to cheer and to charm the world. There was,
too, a little box in the corridor, simple and iron-bound, with the line
written below it, “Post will close at two.” It was as if we had heard the
master of the house say it. Perhaps the notice was in his handwriting (he
had been active there in 1831-2--just thirteen years before)--perhaps not;
but--somehow--more than the library, or the portrait bust, or the chatter
of the well-meaning house-keeper, it brought back the halting old
gentleman in his shooting-coat, and with ivory-headed cane--hobbling with
a vigorous step along the corridor, to post in that iron-bound box a
packet--maybe a chapter of _Woodstock_.
Public-domain text, read in full here on John Shaqi.
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