Next it is objected to these old favorites of ours, that they are not clever in the exhibit and explication of mental processes, and their analysis of motives is incomplete. Well, I suppose this to be true; and that he did, to a certain extent (as Carlyle used to allege grumblingly), work from the outside-in. He did live in times when men fell straightforwardly in love, without counting the palpitations of the heart; and when heroes struck honest blows without reckoning in advance upon the probable contractile power of their biceps muscles. Again, it is said that his history often lacks precision and sureness of statement. Well, the dates are certainly sometimes twisted a few years out of their proper lines and seasons; but it is certain, also, that he does give the atmosphere and the coloring of historic periods in a completer and more satisfying way than many much carefuller chroniclers, and his portraits of great historic personages are by common consent--even of the critics--more full of the life of their subjects, and of a realistic exhibit of their controlling characteristics, than those of the historians proper. Nothing can be more sure than that Scott was not a man of great critical learning; nothing is more sure than that he was frequently at fault in minor details; but who will gainsay the fact that he was among the most charming and beneficent of story-tellers? There may be households which will rule him out as old fashioned and stumbling, and wordy, and long; but I know of one, at least, where he will hold his place, as among the most delightful of visitors--and where on winter nights he will continue to bring with him (as he has brought so many times already) the royal figure of the Queen Elizabeth--shining in her jewels, or sulking in her coquetries; and Dandie Dinmont, with his pow-wow of Pepper and Mustard; and King Jamie, with Steenie and jingling Geordie; and the patient, prudent, excellent Jeanie Deans; and the weak, old, amiable mistress of Tillietudlem; and Rebecca, and the Lady in the Green Mantle, and Dominie Sampson, and Peter Peebles, and Di Vernon, and all the rest! _Glints of Royalty._ They tell us Scott loved kings: why not? Romanticism was his nurse, from the days when he kicked up his baby heels under the shadows of Smailholme Tower, and Feudalism was his foster-parent. Always he loved banners and pageantry, and always the glitter and pomp which give their under or over tones to his pages of balladry. And if he stood in awe of titles and of rank, and felt the cockles of his heart warming in contact with these, ’twas not by reason of a vulgar tuft-hunting spirit, nor was it due to the crass toadyism which seeks reflected benefit; but it grew, I think, out of sheer mental allegiance to feudal splendors and traditions.