Criticism -- Great Britain; English literature -- History and criticism
IV. Johnson's _Lives of the Poets_ was the last word of the school
which the Restoration had enthroned; the final verdict of the supreme
court which gave the law to English letters from the accession of Anne
to the French Revolution. Save in the splenetic outbursts of Byron--and
they are not to be taken too seriously--the indispensable laws of
Aristotelian criticism fell silent at Johnson's death. A time of anarchy
followed; anarchy _plus_ the policeman's truncheon of the _Edinburgh_
and the _Quarterly_. [Footnote: The first number of the _Edinburgh_
appeared in 1802; the _Quarterly_ was started in a counterblast in
1809.]
The ill-fame of these Reviews, as they were in their pride of youth,
is now so great that doubts may sometimes suggest themselves whether
it can possibly be deserved. No one who feels such doubts can do better
than turn to the earlier numbers; he will be forced to the conclusion
that, whatever their services as the journeymen of letters and of party
politics, few critics could have been so incompetent to judge of genius
as the men who enlisted under the standard of Jeffrey or of Gifford.
There is not, doubtless, in either Review the same iron wall of reasoned
prejudice that has been noted in Johnson, but there is a plentiful
lack of the clear vision and the openness to new impressions which are
the first necessity of the critic. What Carlyle says of Jeffrey and
the _Edinburgh_ may be taken as the substantial truth also about Gifford
and the _Quarterly_, and it is the most pregnant judgment that has yet
been passed upon them.
"Jeffrey may be said to have begun the rash, reckless style of
criticising everything in heaven and earth by appeal to Moliere's maid:
'Do _you_ like it?' '_Don't_ you like it?' a style which, in hands
more and more inferior to that sound-hearted old lady and him, has
since grown gradually to such immeasurable length among us; and he
himself is one of the first that suffers by it. If praise and blame
are to be perfected, not in the mouth of Moliere's maid only but in
that of mischievous, precocious babes and sucklings, you will arrive
at singular judgments by degrees." [Footnote: Carlyle, _Reminiscences_
n 63, 64 ]
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