Criticism -- Great Britain; English literature -- History and criticism
need to bring some more available proofs: sith the former is by no man
barred of his deserved credit, the silly latter hath had even the names
of philosophers used to the defacing of it, with great danger of civil
war among the muses. And first, truly to all them that professing
learning inveigh against poetry may justly be objected, that they go
very near to ungratefulness, to seek to deface that which, in the
noblest nations and languages that are known, hath been the first
light-giver to ignorance, and first nurse, whose milk by little and
little enabled them to feed afterwards of tougher knowledges: and will
they now play the hedgehog that, being received into the den, drove
out his host? or rather the vipers, that with their birth kill their
parents? Let learned Greece in any of her manifold sciences, be able
to show me one book, before Musaeus, Homer, and Hesiodus, all three
nothing else but poets. Nay, let any history be brought, that can say
any writers were there before them, if they were not men of the same
skill, as Orpheus, Linus, and some other are named: who having been
the first of that country, that made pens deliverers of their knowledge
to their posterity, may justly challenge to be called their fathers
in learning: for not only in time they had this priority (although in
itself antiquity be venerable) but went before them, as causes to draw
with their charming sweetness the wild untamed wits to an admiration
of knowledge. So as Amphion was said to move stone with his poetry,
to build Thebes. And Orpheus to be listened to by beasts indeed, stony
and beastly people. So among the Romans were Livius Andronicus, and
Ennius. So in the Italian language, the first that made it aspire to
be a treasure-house of science were the poets Dante, Boccace, and
Petrarch. So in our English were Gower and Chaucer.
After whom, encouraged and delighted with their excellent foregoing,
others have followed, to beautify our mother tongue, as well in the
same kind as in other arts. This did so notably show itself, that the
philosophers of Greece durst not a long time appear to the world but
under the masks of poets. So Thales, Empedocles, and Parmenides sang
their natural philosophy in verses: so did Pythagoras and Phocylides
their moral counsels: so did Tyrtaus in war matters, and Solon in
matters of policy: or rather, they being poets, did exercise their
delightful vein in those points of highest knowledge, which before
them lay hid to the world. For that wise Solon was directly a poet,
it is manifest, having written in verse the notable fable of the
Atlantic Island, which was continued by Plato.
Public-domain text, read in full here on John Shaqi.
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