Criticism -- Great Britain; English literature -- History and criticism
Wherein he painteth not Lucretia whom he never saw, but painteth the
outward beauty of such a virtue: for these third be they which most
properly do imitate to teach and delight; and, to imitate, borrow
nothing of what is, hath been, or shall be: but range, only reined
with learned discretion, into the divine consideration of what may be,
and should be. These be they that, as the first and most noble sort
may justly be termed Vates, so these are waited on in the excellentest
languages and best understandings, with the fore-described name of
poets: for these indeed do merely make to imitate: and imitate both
to delight and teach: and delight to move men to take that goodness
in hand, which without delight they would fly as from a stranger: and
teach, to make them know that goodness whereunto they are moved, which
being the noblest scope to which ever any learning was directed, yet
want there not idle tongues to bark at them. These be subdivided into
sundry more special denominations. The most notable be the heroic,
lyric, tragic, comic, satiric, iambic, elegiac, pastoral, and certain
others. Some of these being termed according to the matter they deal
with, some by the sorts of verses they liked best to write in, for
indeed the greatest part of poets have apparelled their poetical
inventions in that numbrous kind of writing which is called verse:
indeed but apparelled, verse being but an ornament and no cause to
poetry: sith there have been many most excellent poets that never
versified, and now swarm many versifiers that need never answer to the
name of poets. For Xenophon, who did imitate so excellently, as to
give us _effigiem justi imperii_ the portraiture of a just empire under
the name of Cyrus (as Cicero says of him), made therein an absolute
heroical poem.
So did Heliodorus in his sugared invention of that picture of love in
Theagenes and Chariclea, and yet both these wrote in prose: which I
speak to show, that it is not rhyming and versing that maketh a poet,
no more than a long gown maketh an advocate: who, though he pleaded
in armour, should be an advocate and no soldier. But it is that feigning
notable images of virtues, vices, or what else, with that delightful
teaching which must be the right describing note to know a poet by:
although, indeed, the senate of poets hath chosen verse as their fittest
raiment, meaning, as in matter they passed all in all, so in manner
to go beyond them: not speaking (table-talk fashion, or like men in
a dream) words as they chanceably fall from the mouth, but peyzing
[Footnote: weighing.] each syllable of each word by just proportion
according to the dignity of the subject.
Public-domain text, read in full here on John Shaqi.
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