English Literature, Considered as an Interpreter of English History: Designed as a Manual of InstructionCoppée, Henry
History
English Literature, Considered as an Interpreter of English History: Designed as a Manual of Instruction
Coppée, Henry
English literature -- History and criticism
THE VERDICT.--These poems at once became famous, and the critics began to
investigate the question of their authenticity. From this investigation
Chatterton did not shrink. He sent some of them with letters to Horace
Walpole, and, as Walpole did not immediately answer, he wrote to him quite
impertinently. Then they were submitted to Mason and Gray. The opinion of
those who examined them was almost unanimous that they were forgeries: he
could produce no originals; the language is in many cases not that of the
period, and the spelling and idioms are evidently factitious. A few there
were who seemed to have committed themselves, at first, to their
authenticity; but Walpole, the Wartons, Dr. Johnson, Gibbon the historian,
Sheridan, and most other literary men, were clear as to their forgery. The
forged manuscripts which he had the hardihood afterwards to present, were
totally unlike those of Edward the Fourth's time; he was entirely at fault
in his heraldry; words were used out of their meaning; and, in his poem on
_The Battle of Hastings_, he had introduced the modern discoveries
concerning Stone Henge. He uses the possessive case _yttes_, which did not
come into use until long after the Rowlie period. Add to these that
Chatterton's reputation for veracity was bad.
The truth was, that he had found some curious scraps, which had set his
fancy to work, and the example of Macpherson had led to the cheat he was
practising upon the public. To some friends he confessed the deception,
denying it again, violently, soon after; and he had been seen smoking
parchment to make it look old. The lad was crazy.
HIS SUICIDE.--Keeping up appearances, he went to London, and tried to get
work. At one time he was in high spirits, sending presents to his mother
and sisters, and promising them better days; at another, he was in want,
in the lowest depression, no hope in the world. He only asks for work; he
is entirely unconcerned for whom he writes or what party he eulogizes; he
wants money and a name, and when these seem unattainable, he takes refuge
from "the whips and scorns of time," the burning fever of pride, the
gnawings of hunger, in suicide. He goes to his little garret
room,--refusing, as he goes, a dinner from his landlady, although he is
gaunt with famine,--mixes a large dose of arsenic in water, and--"jumps
the life to come." He was just seventeen years and nine months old! When
his room was forced open, it was found that he had torn up most of his
papers, and had left nothing to throw light upon his deception.
Public-domain text, read in full here on John Shaqi.
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