English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
humor or appreciation if he is not ready to echo heartily the last stanza:
Now let us sing, Long live the King,
And Gilpin, long live he!
And when he next doth ride abroad
May I be there to see.
ROBERT BURNS (1759-1796)
After a century and more of Classicism, we noted with interest the work of
three men, Gray, Goldsmith, and Cowper, whose poetry, like the chorus of
awakening birds, suggests the dawn of another day. Two other poets of the
same age suggest the sunrise. The first is the plowman Burns, who speaks
straight from the heart to the primitive emotions of the race; the second
is the mystic Blake, who only half understands his own thoughts, and whose
words stir a sensitive nature as music does, or the moon in midheaven,
rousing in the soul those vague desires and aspirations which ordinarily
sleep, and which can never be expressed because they have no names. Blake
lived his shy, mystic, spiritual life in the crowded city, and his message
is to the few who can understand. Burns lived his sad, toilsome, erring
life in the open air, with the sun and the rain, and his songs touch all
the world. The latter's poetry, so far as it has a philosophy, rests upon
two principles which the classic school never understood,--that common
people are at heart romantic and lovers of the ideal, and that simple human
emotions furnish the elements of true poetry. Largely because he follows
these two principles, Burns is probably the greatest song writer of the
world. His poetic creed may be summed up in one of his own stanzas:
Give me ae spark o' Nature's fire,
That's a' the learning I desire;
Then, though I trudge thro' dub an' mire
At pleugh or cart,
My Muse, though hamely in attire,
May touch the heart.
LIFE.[205] Burns's life is "a life of fragments," as Carlyle called it; and
the different fragments are as unlike as the noble "Cotter's Saturday
Night" and the rant and riot of "The Jolly Beggars." The details of this
sad and disjointed life were better, perhaps, forgotten. We call attention
only to the facts which help us to understand the man and his poetry.
Public-domain text, read in full here on John Shaqi.
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