English Literature: Its History and Its Significance for the Life of the English-Speaking WorldLong, William J. (William Joseph)
History
English Literature: Its History and Its Significance for the Life of the English-Speaking World
Long, William J. (William Joseph)
English literature -- History and criticism
The earliest Miracle of which we have any record in England is the _Ludus
de Sancta Katharina_, which was performed in Dunstable about the year
1110.[128] It is not known who wrote the original play of St. Catherine,
but our first version was prepared by Geoffrey of St. Albans, a French
school-teacher of Dunstable. Whether or not the play was given in English
is not known, but it was customary in the earliest plays for the chief
actors to speak in Latin or French, to show their importance, while minor
and comic parts of the same play were given in English.
For four centuries after this first recorded play the Miracles increased
steadily in number and popularity in England. They were given first very
simply and impressively in the churches; then, as the actors increased in
number and the plays in liveliness, they overflowed to the churchyards; but
when fun and hilarity began to predominate even in the most sacred
representations, the scandalized priests forbade plays altogether on church
grounds. By the year 1300 the Miracles were out of ecclesiastical hands and
adopted eagerly by the town guilds; and in the following two centuries we
find the Church preaching against the abuse of the religious drama which it
had itself introduced, and which at first had served a purely religious
purpose.[129] But by this time the Miracles had taken strong hold upon the
English people, and they continued to be immensely popular until, in the
sixteenth century, they were replaced by the Elizabethan drama.
The early Miracle plays of England were divided into two classes: the
first, given at Christmas, included all plays connected with the birth of
Christ; the second, at Easter, included the plays relating to his death and
triumph. By the beginning of the fourteenth century all these plays were,
in various localities, united in single cycles beginning with the Creation
and ending with the Final Judgment. The complete cycle was presented every
spring, beginning on Corpus Christi day; and as the presentation of so many
plays meant a continuous outdoor festival of a week or more, this day was
looked forward to as the happiest of the whole year.
Public-domain text, read in full here on John Shaqi.
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