English Literature: ModernMair, G. H. (George Herbert)
History
English Literature: Modern
Mair, G. H. (George Herbert)
English literature -- History and criticism
above all others of lyric poetry, the merit of sincerity. The note is
struck with certainty and power in the first sonnet of the series:--
"Loving in truth, and fain in verse my love to show,
That she, dear she, might take some pleasure of my pain,--
Pleasure might cause her read, reading might make her know,--
Knowledge might pity win, and pity grace obtain,--
I sought fit words to paint the blackest face of woe,
Studying inventions fine her wits to entertain;
Oft turning others' leaves to see if thence would flow
Some fresh and fruitful flower upon my sunburned brain.
But words came halting forth ...
Biting my truant pen, beating myself for spite,
'Fool,' said my muse to me, 'look in thy heart and write.'"
And though he turned others' leaves it was quite literally looking in
his heart that he wrote. He analyses the sequence of his feelings with a
vividness and minuteness which assure us of their truth. All that he
tells is the fruit of experience, dearly bought:
"Desire! desire! I have too dearly bought
With price of mangled mind thy worthless ware.
Too long, too long! asleep thou hast me brought,
Who shouldst my mind to higher things prepare."
and earlier in the sequence--
"I now have learned love right and learned even so
As those that being poisoned poison know."
In the last two sonnets, with crowning truth and pathos he renounces
earthly love which reaches but to dust, and which because it fades
brings but fading pleasure:
"Then farewell, world! Thy uttermost I see.
Eternal love, maintain thy life in me."
The sonnets were published after Sidney's death, and it is certain that
like Shakespeare's they were never intended for publication at all. The
point is important because it helps to vindicate Sidney's sincerity, but
were any vindication needed another more certain might be found. The
_Arcadia_ is strewn with love songs and sonnets, the exercises solely of
the literary imagination. Let any one who wishes to gauge the sincerity
of the impulse of the Stella sequence compare any of the poems in it
with those in the romance.
Public-domain text, read in full here on John Shaqi.
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