bewildered myself in metaphysics and in theological controversy. Nothing else pleased me. History and particular facts lost all interest in my mind. Poetry (though for a schoolboy of that age I was above par in English versification, and had already produced two or three compositions which I may venture to say were somewhat above mediocrity, and which had gained me more credit than the sound good sense of my old master was at all pleased with),--poetry itself, yea, novels and romance, became insipid to me." He goes on to describe how highly delighted he was if, during his friendless wanderings on leave-days, "any passenger, especially if he were dressed in black," would enter with him into a conversation, which he soon found the means of directing to his favourite subject of "providence, foreknowledge, will, and fate; fixed fate, freewill, foreknowledge absolute." Undoubtedly it is to this period that one should refer Lamb's well-known description of "Samuel Taylor Coleridge, Logician, Metaphysician, Bard." "How have I seen the casual passer through the cloisters stand still, entranced with admiration (while he weighed the disproportion between the speech and the garb of the young Mirandula), to hear thee unfold in thy deep and sweet intonations the mysteries of Iamblichus or Plotinus (for even in those years thou waxedst not pale at such philosophic draughts), or reciting Homer in the Greek, or Pindar, while the walls of the old Grey Friars re-echoed with the accents of the _inspired charity-boy_."