But to our tale:--Ae market-night,
Tam had got planted[35] unco right,
Fast by an ingle,[36] bleezing finely,
Wi' reaming swats,[37] that drank divinely; 40
And at his elbow, Souter[38] Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a vera brither--
They had been fou for weeks thegither!
The night drave on wi' sangs and clatter, 45
And aye the ale was growing better;
The landlady and Tam grew gracious,
Wi' favors secret, sweet, and precious;
The souter tauld his queerest stories,
The landlord's laugh was ready chorus; 50
The storm without might rair and rustle--
Tam did na mind the storm a whistle.
Care, mad to see a man sae happy,
E'en drowned himself amang the nappy!
As bees flee hame wi' lades o' treasure, 55
The minutes winged their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious.
But pleasures are like poppies spread,--
You seize the flower, its bloom is shed; 60
Or like the snowfall in the river,--
A moment white--then melts forever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form, 65
Evanishing amid the storm.
Nae man can tether time or tide;
The hour approaches Tam maun[39] ride:
That hour, o' night's black arch the keystane,
That dreary hour he mounts his beast in; 70
And sic a night he taks the road in
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed; 75
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The Deil[40] had business on his hand.
Weel mounted on his gray mare, Meg,
(A better never lifted leg,) 80
Tam skelpit[41] on through dub[42] and mire,
Despising wind, and rain, and fire;
Whiles holding fast his guid blue bonnet,
Whiles crooning o'er some auld Scots sonnet;
Whiles glowering round wi' prudent cares, 85
Lest bogles[43] catch him unawares:--
Kirk-Alloway was drawing nigh,
Where ghaists and houlets[44] nightly cry.
Public-domain text, read in full here on John Shaqi.
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