Call a person ‘pragmatical’, and you now imply not merely that he is
busy, but _over_-busy, officious, self-important, and pompous to boot.
But it once meant nothing of the kind, and ‘pragmatical’ (like
πραγματικός) was one engaged in affairs, being an honourable title,
given to a man simply and industriously accomplishing the business which
properly concerned him{223}. So too to say that a person ‘meddles’ or is
a ‘meddler’ implies now that he interferes unduly in other men’s
matters, without a call mixing himself up with them. This was not
insinuated in the earlier uses of the word. On the contrary three of our
earlier translations of the Bible have, “_Meddle_ with your own
business” (1 Thess. iv. 11); and Barrow in one of his sermons draws at
some length the distinction between ‘meddling’ and “being _meddlesome_”,
and only condemns the latter.
{Sidenote: ‘_Proser_’}
Or take again the words, ‘to prose’ or a ‘proser’. It cannot indeed be
affirmed that they convey any _moral_ condemnation, yet they certainly
convey no compliment now; and are almost among the last which any one
would desire should with justice be applied either to his talking or his
writing. For ‘to prose’, as we all now know too well, is to talk or
write heavily and tediously, without spirit and without animation; but
once it was simply the antithesis of to versify, and a ‘proser’ the
antithesis of a versifier or a poet. It will follow that the most rapid
and liveliest writer who ever wrote, if he did not write in verse would
have ‘prosed’ and been a ‘proser’, in the language of our ancestors.
Thus Drayton writes of his contemporary Nashe:
“And surely Nashe, though he a _proser_ were,
A branch of laurel yet deserves to bear”;
that is, the ornament not of a ‘proser’, but of a poet. The tacit
assumption that vigour, animation, rapid movement, with all the
precipitation of the spirit, belong to verse rather than to prose, and
are the exclusive possession of it, is that which must explain the
changed uses of the word.
{Sidenote: ‘_Knave_’}
Public-domain text, read in full here on John Shaqi.
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