English Pictures Drawn with Pen and Pencil — John Shaqi
English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
As we sweep round the bend beneath the broad meadow and the wooded isle,
"while we muse the fire burneth,"--the ardour of grateful love to Him
who has shaped the destinies of our beloved land, and has never from
that hour withdrawn the trust then committed to the nation, of being the
guardians and pioneers of the world's freedom. A multitude of thoughts
and questionings throng in upon us, but we must not lose the opportunity
of impressing on our memory the outward features of the scene. There is
not much to see: if there be time to land upon the island, it will be
as well to do so, and enter the pretty modern cottage there erected,
containing the very stone--if tradition is to be believed--on which the
Charter was laid for the royal signature.
From Runnimede, it is but an easy climb to the brow of Cooper's Hill,
with its far-famed view of the river, of Windsor, and its woods. Dr.
Johnson speaks of Sir John Denham's poem, of which we have taken some
lines as the motto to this chapter, as "the first English specimen of
local poetry." Its subject, as well as its style, will preserve it
from the oblivion to which the greater number of the poet's works have
descended.
Another Coin falls into the river, to the left, a little farther
on--suggestive, in its name, of the Roman occupation; the "street" to
the west here crossing the Thames by a bridge. "London Stone," a few
hundred yards lower down, marks the entrance into Middlesex; then clean
and quiet Staines----"Stones," so termed, perhaps, from the piers of
the old Roman bridge, or, it may be, from the London Stone itself, comes
into view: but if the traveller has time to spare, he will rather pause
at Laleham, so well known to every Christian educator as the earliest
scene of Arnold's labours.
[Illustration: 0035]
"The first reception of the tidings of his election at Rugby," we are
told by his biographer, "was overclouded with deep sorrow at leaving
the scene of so much happiness. Years after he had left it, he still
retained his early affection for it, and till he had purchased his house
in Westmoreland, he entertained a lingering hope that he might return
to it in his old age, when he should have retired from Rugby. Often he
would revisit it, and delighted in renewing his acquaintance with all
the families of the poor whom he had known during his residence; in
showing to his children his former haunts; in looking once again on his
favourite views of the great plain of Middlesex--the lonely walks along
the quiet banks of the Thames--the retired garden with its 'Campus
Martins,' and its 'wilderness of trees;' which lay behind the house,
and which had been the scenes of so many sportive games and serious
conversations." *
[Illustration: 9036]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account