English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
The town of Kenilworth is of considerable size, containing, at the last
census, more than 3,000 inhabitants. The traveller may rest here, or in
a quaint little hostelry close to the castle gates, not forgetting to
visit the ancient church--that at the other end of the town is modern,
and need not detain him. After due refreshment, he will probably be in
the humour for another five miles' walk, or drive, along a road almost
equal in beauty to that by which he came, to Warwick, calling at Guy's
Cliff by the way. He had better make up his mind, for the time at least,
to believe in Guy, "the Saxon giant who slew the dun cow," and, after a
life of doughty deeds, retired to a hermitage, here where the Avon opens
into a lake-like transparent pool, at the foot of the exquisitely-wooded
cliff. The cave of the giant's retreat may be seen; and the traveller
will be charmed by the fair mansion on the one side overhanging the
Avon, and on the other opening down a long avenue, flowery and verdant,
to the high road.
[Illustration: 0079]
Warwick Castle is so frequently visited, that it needs little
description. The winding road, cut out of the solid rock from the
lodge to the castle gate, is a fitting approach to the stately
fortress-palace, and well prepares the visitor for what is to follow.
Some will prefer to roam the gardens, so far as watchful custodians
permit, turning aside to the solid-looking Gothic conservatory to see
the great Warwick vase, brought from fair Tivoli; others will follow the
courteous housekeeper down the long suite of castle halls, poting the
glorious views from the deep embayed windows, duly admiring the bed in
which Queen Anne once slept, with the portrait of her majesty, plump and
rubicund, on the opposite wall. The logs heaped up, as logs have been
for centuries, in readiness for the great hall-fire, carry the mind
back to olden fashions; the inlaid table of precious stones, said to be
"worth" ten thousand pounds, excites a languid curiosity; the helmet
of Oliver Cromwell, an authentic relic, suggests many a thought of
the great brain which it once enclosed; and, while other items in the
antique show pass as phantasmagoria before the bewildered attention,
there are some portraits on the walls, to have seen which is a lasting
pleasure of memory. It is a happy thing that these were spared by the
fire of 1871; justly counted as a national calamity rather than a
family misfortune. The traces of the conflagration are now almost wholly
removed, although some priceless treasures have been irrecoverably lost.
[Illustration: 0080]
Public-domain text, read in full here on John Shaqi.
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