English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
It is, perhaps, from the portraits, after all, that we may gain the most
trustworthy impression of the poet's individuality. That on the tomb is
for obvious reasons the most valuable. There it has been, in the sight
of all men, from the very days of Shakspere. The eyes of his widow and
of their children must often have rested upon it; and there can be no
doubt that it presents the true aspect of the man. The engravings of
the bust, and even the photographs, seem to us to exaggerate the calm,
serene expression of the countenance. Partly, it may be, from the effect
of the colouring on the full and shapely cheeks, there is an air almost
of joviality about the face. It is quite as easy to recognise the
Warwickshire squire of New Place, as to feel the presence of the poet
of all time. There is, in the Henley Street house, a portrait of
extraordinary history; lately discovered. The antiquity of this portrait
seems indubitable; but the face seems a copy, and, so far as we could
judge without seeing the two side by side, of that on the monument.
For the we naturally associate with Shakspere, we must go rather to
the "Chandos portrait," now in the National Portrait Gallery, or to the
terra-cotta bust, disinterred in 1845, from the site of the old theatre
in Lincoln's Inn Fields, and presented by the Duke of Devonshire to
the Garrick Club. In a somewhat rough fashion, the Droeshout portrait,
prefixed to the first folio edition of the plays, in 1623, gives
a similar impression of power; and Ben Jonson, who knew Shakspere
personally, testifies strongly to its correctness:
"This figure that thou here seest put,
It was for gentle Shakspere cut;
Wherein the graver had a strife
With Nature, to outdo the Life."
But most of all is the greatness of Shakspere brought home to us by the
simple record of the names of those who, from all quarters of the world,
have come to this little Warwickshire town, to do homage to his memory.
In all the world there is no shrine of pilgrimage like this, not only
in the number of the visitants, but in their wonderful variety in
character, temperament, and belief.
[Illustration: 9091]
Public-domain text, read in full here on John Shaqi.
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