English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
[Illustration: 0126]
[Illustration: 0128]
WESTWARD HO!
[Illustration: 0129]
Almost every place of popular resort has its "season," when its charms
are supposed to be at their highest, and the annual migration of
visitors sets in. The period is not always determined by climate or
calendar; and such is the caprice of fashion, that many a lovely spot
is left well-nigh solitary during the weeks of its full perfection,
the crowd beginning to gather when the beauties of the place are on the
wane. Tastes will undoubtedly differ as to the most favourable time to
visit one or another beautiful scene; but none, we should imagine,
will dispute our opinion that the best season for travel in the west of
England is in the early spring. We leave the north, with patches of snow
yet on the hills, and the first leaflets struggling in vain to
unfold themselves on the blackened branches; or, if we hail from the
metropolis, we gladly turn our backs on wind-swept streets and bleak
suburban roads, to find ourselves in two or three hours speeding beneath
soft sunshine, between far-extending orchards, in all the loveliness of
their delicate bloom, while the grass is of a richer tint, the blue sky,
dappled with fleecy clouds, of a more exquisite purity, and instead
of the slowly-relaxing grasp of winter, the promise of summer already
thrills the air. "The flowers appear on the earth; the time of the
singing of birds is come, and the voice of the turtle is heard in our
land."
But whither shall we direct our steps? It is the perfection of comfort
in travelling to have time at command. We need be in no haste to leave
the apple-blossomy valleys of Somersetshire, even for the woods and
cliffs of Devon; and if the tourist would visit a spot which, in its
own way, is unique in England, let him turn aside, as we did, soon after
leaving Bristol, to a rift in the Mendip Hills, and make his way through
the pass between the Cheddar Cliffs. A more majestic scene it would
be difficult to find. For actual magnitude is only one element of
sublimity. The biggest mountain is not always the grandest, just as the
finest landscape is not always that which embraces the greatest number
of square miles. The Himalayas are said to be far less imposing than the
Alps. The width of the valleys, the more gradual slope of the mountains,
and the greater distance from the eye, detract from their apparent
height as compared with Mont Blanc or the Matterhorn. This little gorge
of the Mendips affords a striking illustration of the same kind.
The cliffs are less than five hundred feet high; yet under certain
conditions of atmosphere we have had as deep a sense of sublimity, and
under others as keen a sense of beauty here, as in districts where the
altitude is to be reckoned by thousands of feet instead of hundreds.
Public-domain text, read in full here on John Shaqi.
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