English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Thus every traveller has occasionally done a sunrise, and a more
lamentable proceeding than the ordinary view of a sunrise can hardly be
imagined. You are cold, miserable, breakfastless; have risen shivering
from a warm bed, and in your heart long only to creep into bed again. To
the mountaineer all this is changed. He is beginning a day full of the
anticipation of a pleasant excitement. He has, perhaps, been waiting
anxiously for fine weather, to try conclusions with some huge giant not
yet scaled. He moves out with something of the feeling with which a
soldier goes to the assault of a fortress, but without the same
probability of coming home in fragments; the danger is trifling enough
to be merely exhilatory, and to give a pleasant tension to the nerves;
his muscles feel firm and springy, and his stomach--no small advantage
to the enjoyment of scenery--is in excellent order. He looks at the
sparkling stars with keen satisfaction, prepared to enjoy a fine sunrise
with all his faculties at their best, and with the added pleasure of a
good omen for his day's work. Then a huge dark mass begins to mould
itself slowly out of the darkness, the sky begins to form a background
of deep purple, against which the outline becomes gradually more
definite; one by one, the peaks catch the exquisite Alpine glow,
lighting up in rapid succession, like a vast illumination; and when at
last the steady sunlight settles upon them, and shows every rock and
glacier, without even a delicate film of mist to obscure them, he feels
his heart bound, and steps out gaily to the assault--just as the people
on the Rigi are giving thanks that the show is over and that they may
go to bed. Still grander is the sight when the mountaineer has already
reached some lofty ridge, and, as the sun rises, stands between the day
and the night--the valley still in deep sleep, with the mists lying
between the folds of the hills, and the snow-peaks standing out clear
and pale white just before the sun reaches them, whilst a broad band of
orange light runs all round the vast horizon. The glory of sunsets is
equally increased in the thin upper air. The grandest of all such sights
that live in my memory is that of a sunset from the Aiguille du Goûté.
The snow at our feet was glowing with rich light, and the shadows in our
footsteps a vivid green by the contrast. Beneath us was a vast
horizontal floor of thin level mists suspended in mid air, spread like a
canopy over the whole boundless landscape, and tinged with every hue of
sunset. Through its rents and gaps we could see the lower mountains, the
distant plains, and a fragment of the Lake of Geneva lying in a more
sober purple. Above us rose the solemn mass of Mont Blanc in the richest
glow of an Alpine sunset. The sense of lonely sublimity was almost
oppressive, and although half our party was suffering from sickness, I
believe even the guides were moved to a sense of solemn beauty.
Public-domain text, read in full here on John Shaqi.
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