English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
These grand scenic effects are occasionally seen by ordinary travellers,
though the ordinary traveller is for the most part out of temper at 3
A.M. The mountaineer can enjoy them, both because his frame of mind is
properly trained to receive the natural beauty, and because he alone
sees them with their best accessories, amidst the silence of the eternal
snow, and the vast panoramas visible from the loftier summits. And he
has a similar advantage in most of the great natural phenomena of the
cloud and the sunshine. No sight in the Alps is more impressive than the
huge rocks of a black precipice suddenly frowning out through the chasms
of a storm-cloud. But grand as such a sight may be from the safe
verandahs of the inn at Grindelwald, it is far grander in the silence of
the Central Alps amongst the savage wilderness of rock and snow.
Another characteristic effect of the High Alps often presents itself
when one has been climbing for two or three hours, with nothing in sight
but the varying wreaths of mist that chased each other monotonously
along the rocky ribs up whose snow-covered backbone we were laboriously
fighting our way. Suddenly there is a puff of wind, and looking round we
find that we have in an instant pierced the clouds, and emerged, as it
were, on the surface of the ocean of vapour. Beneath us stretches for
hundreds of miles the level fleecy floor, and above us shines out clear
in the eternal sunshine every mountain, from Mont Blanc to Monte Rosa
and the Jungfrau. What, again, in the lower regions, can equal the
mysterious charm of gazing from the edge of a torn rocky parapet into an
apparently fathomless abyss, where nothing but what an Alpine traveller
calls a "strange formless wreathing of vapour" indicates the storm-wind
that is raging below us? I might go on indefinitely recalling the
strangely impressive scenes that frequently startle the traveller in the
waste upper world; but language is feeble indeed to convey even a
glimmering of what is to be seen to those who have not seen it for
themselves, whilst to them it can be little more than a peg upon which
to hang their own recollections. These glories, in which the mountain
Spirit reveals himself to his true worshippers, are only to be gained by
the appropriate service of climbing--at some risk, though a very
trifling risk, if he is approached with due form and ceremony--into the
furthest recesses of his shrines. And without seeing them, I maintain
that no man has really seen the Alps.
Public-domain text, read in full here on John Shaqi.
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