English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
It will be enough if I conclude with an attempt to illustrate this last
assertion: and I will do it by still referring to the Oberland. Every
visitor with a soul for the beautiful admires the noble form of the
Wetterhorn--the lofty snow-crowned pyramid rising in such light and yet
massive lines from its huge basement of perpendicular cliffs. The
Wetterhorn has, however, a further merit. To my mind--and I believe most
connoisseurs of mountain tops agree with me--it is one of the most
impressive summits in the Alps. It is not a sharp pinnacle like the
Weisshorn, or a cupola like Mont Blanc, or a grand rocky tooth like the
Monte Rosa, but a long and nearly horizontal knife-edge, which, as seen
from either end, has of course the appearance of a sharp-pointed cone.
It is when balanced upon this ridge--sitting astride of the knife-edge
on which one can hardly stand without giddiness--that one fully
appreciates an Alpine precipice. Mr. Justice Wills has admirably
described the first ascent, and the impression it made upon him, in a
paper which has become classical for succeeding adventurers. Behind you
the snow-slope sinks with perilous steepness towards the wilderness of
glacier and rock through which the ascent has lain. But in front the ice
sinks with even greater steepness for a few feet or yards. Then it
curves over and disappears, and the next thing that the eye catches is
the meadowland of Grindelwald, some 9,000 feet below. I have looked down
many precipices, where the eye can trace the course of every pebble that
bounds down the awful slopes, and where I have shuddered as some
dislodged fragment of rock showed the course which, in case of accident,
fragments of my own body would follow. A precipice is always, for
obvious reasons, far more terrible from above than from below. The
creeping, tingling sensation which passes through one's limbs--even when
one knows oneself to be in perfect safety--testifies to the thrilling
influence of the sight. But I have never so realised the terrors of a
terrific cliff as when I could not see it. The awful gulf which
intervened between me and the green meadows struck the imagination by
its invisibility. It was like the view which may be seen from the ridge
of a cathedral roof, where the eaves have for their immediate
background the pavement of the streets below; only this cathedral was
9,000 feet high. Now, any one standing at the foot of the Wetterhorn may
admire their stupendous massiveness and steepness; but, to feel their
influence enter in the very marrow of one's bones, it is necessary to
stand at the summit, and to fancy the one little slide down the short
ice-slope, to be followed apparently by a bound into clear air and a
fall down to the houses, from heights where only the eagle ventures to
soar.
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