English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
The difference which I have thus endeavoured to indicate is more or
less traceable in a wider sense. The mountains are exquisitely
beautiful, indeed, from whatever points of view we contemplate them; and
the mountaineer would lose much if he never saw the beauties of the
lower valleys, of pasturages deep in flowers, and dark pine-forests with
the summits shining from far off between the stems. Only, as it seems to
me, he has the exclusive prerogative of thoroughly enjoying one--and
that the most characteristic, though by no means only, element of the
scenery. There may be a very good dinner spread before twenty people;
but if nineteen of them were teetotalers, and the twentieth drank his
wine like a man, he would be the only one to do it full justice; the
others might praise the meat or the fruits, but he would alone enjoy the
champagne; and in the great feast which Nature spreads before us (a
stock metaphor, which emboldens me to make the comparison), the high
mountain scenery acts the part of the champagne. Unluckily, too, the
teetotalers are very apt, in this case also, to sit in judgment upon
their more adventurous neighbours. Especially are they pleased to carp
at the views from high summits. I have been constantly asked, with a
covert sneer, "Did it repay you?"--a question which involves the
assumption that one wants to be repaid, as though the labour were not
itself part of the pleasure, and which implies a doubt that the view is
really enjoyable. People are always demonstrating that the lower views
are the most beautiful; and at the same time complaining that
mountaineers frequently turn back without looking at the view from the
top, as though that would necessarily imply that they cared nothing for
scenery. In opposition to which I must first remark that, as a rule,
every step of an ascent has a beauty of its own, which one is quietly
absorbing even when one is not directly making it a subject of
contemplation, and that the view from the top is generally the crowning
glory of the whole.
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