English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing — John Shaqi
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Herein my father, happily, though with no definite intention other than
of pleasing me, when he found he could do so without infringing any of
my mother's rules, became my guide. I was particularly fond of watching
him shave; and was always allowed to come into his room in the morning
(under the one in which I am now writing), to be the motionless witness
of that operation. Over his dressing-table hung one of his own
water-colour drawings, made under the teaching of the elder Nasmyth; I
believe, at the High School of Edinburgh. It was done in the early
manner of tinting, which, just about the time when my father was at the
High School, Dr. Munro was teaching Turner; namely, in gray under-tints
of Prussian blue and British ink, washed with warm colour afterwards on
the lights. It represented Conway Castle, with its Frith, and, in the
foreground, a cottage, a fisherman, and a boat at the water's edge.
When my father had finished shaving, he always told me a story about
this picture. The custom began without any initial purpose of his, in
consequence of my troublesome curiosity whether the fisherman lived in
the cottage, and where he was going to in the boat. It being settled,
for peace' sake, that he _did_ live in the cottage, and was going in the
boat to fish near the castle, the plot of the drama afterwards gradually
thickened; and became, I believe, involved with that of the tragedy of
Douglas, and of the Castle Specter, in both of which pieces my father
had performed in private theatricals, before my mother, and a select
Edinburgh audience, when he was a boy of sixteen, and she, at grave
twenty, a model housekeeper, and very scornful and religiously
suspicious of theatricals. But she was never weary of telling me, in
later years, how beautiful my father looked in his Highland dress, with
the high black feathers.
In the afternoons, when my father returned (always punctually) from his
business, he dined, at half-past four, in the front parlour, my mother
sitting beside him to hear the events of the day, and give counsel and
encouragement with respect to the same;--chiefly the last, for my father
was apt to be vexed if orders for sherry fell the least short of their
due standard, even for a day or two. I was never present at this time,
however, and only avouch what I relate by hearsay and probable
conjecture; for between four and six it would have been a grave
misdemeanour in me if I so much as approached the parlour door. After
that, in summer time, we were all in the garden as long as the day
lasted; tea under the white-heart cherry tree; or in winter and rough
weather, at six o'clock in the drawing-room,--I having my cup of milk,
and slice of bread-and-butter, in a little recess, with a table in front
of it, wholly sacred to me; and in which I remained in the evenings as
an Idol in a niche, while my mother knitted, and my father read to
her,--and to me, so far as I chose to listen.
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