English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
These were the thoughts which mingled with the dry heavy dejection of
the melancholy winter of 1826-7. During this time I was not incapable of
my usual occupations. I went on with them mechanically, by the mere
force of habit. I had been so drilled in a certain sort of mental
exercise, that I could still carry it on when all the spirit had gone
out of it. I even composed and spoke several speeches at the debating
society, how, or with what degree of success, I know not. Of four years'
continual speaking at that society, this is the only year of which I
remember next to nothing. Two lines of Coleridge, in whom alone of all
writers I have found a true description of what I felt, were often in my
thoughts, not at this time (for I had never read them), but in a later
period of the same mental malady:
"Work without hope draws nectar in a sieve,
And hope without an object cannot live."
In all probability my case was by no means so peculiar as I fancied it,
and I doubt not that many others have passed through a similar state;
but the idiosyncrasies of my education had given to the general
phenomenon a special character, which made it seem the natural effect of
causes that it was hardly possible for time to remove. I frequently
asked myself, if I could, or if I was bound to go on living, when life
must be passed in this manner. I generally answered to myself, that I
did not think I could possibly bear it beyond a year. When, however, not
more than half that duration of time had elapsed, a small ray of light
broke in upon my gloom. I was reading, accidentally, Marmontel's
"Memoires," and came to the passage which relates his father's death,
the distressed position of the family, and the sudden inspiration by
which he, then a mere boy, felt and made them feel that he would be
everything to them--would supply the place of all that they had lost. A
vivid conception of the scene and its feelings came over me, and I was
moved to tears. From this moment my burden grew lighter. The oppression
of the thought that all feeling was dead within me, was gone. I was no
longer hopeless: I was not a stock or a stone. I had still, it seemed,
some of the material out of which all worth of character, and all
capacity for happiness, are made. Relieved from my ever present sense of
irremediable wretchedness, I gradually found that the ordinary incidents
of life could again give me some pleasure; that I could again find
enjoyment, not intense, but sufficient for cheerfulness, in sunshine and
sky, in books, in conversation, in public affairs; and that there was,
once more, excitement, though of a moderate kind, in exerting myself for
my opinions, and for the public good. Thus the cloud gradually drew off,
and I again enjoyed life: and though I had several relapses, some of
which lasted many months, I never again was as miserable as I had been.
Public-domain text, read in full here on John Shaqi.
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