English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
General
English Prose: A Series of Related Essays for the Discussion and Practice of the Art of Writing
English language -- Rhetoric; English language -- Style; English prose literature; Readers; Report writing -- Problems, exercises, etc.
Bridget is so sparing of her speech, on most occasions, that when she
gets into a rhetorical vein, I am careful how I interrupt it. I could
not help, however, smiling at the phantom of wealth which her dear
imagination had conjured up out of a clear income of poor ---- hundred
pounds a year. "It is true we were happier when we were poorer, but we
were also younger, my cousin. I am afraid we must put up with the
excess, for if we were to shake the superflux into the sea, we should
not much mend ourselves. That we had much to struggle with, as we grew
up together, we have reason to be most thankful. It strengthened and
knit our compact closer. We could never have been what we have been to
each other, if we had always had the sufficiency which you now complain
of. The resisting power, those natural dilations of the youthful spirit,
which circumstances can not straiten--with us are long since passed
away. Competence to age is supplementary youth, a sorry supplement
indeed, but I fear the best that is to be had. We must ride where we
formerly walked: live better and lie softer--and shall be wise to do
so--than we had means to do in those good old days you speak of. Yet
could those days return, could you and I once more walk our thirty miles
a day, could Bannister and Mrs. Bland again be young, and you and I be
young to see them, could the good old one shilling gallery days
return--they are dreams, my cousin, now, but could you and I at this
moment, instead of this quiet argument, by our well-carpeted fireside,
sitting on this luxurious sofa--be once more struggling up those
inconvenient staircases, pushed about and squeezed, and elbowed by the
poorest rabble of poor gallery scramblers--could I once more hear those
anxious shrieks of yours, and the delicious _Thank God, we are safe_,
which always followed, when the topmost stair, conquered, let in the
first light of the whole cheerful theatre down beneath us--I know not
the fathom line that ever touched a descent so deep as I would be
willing to bury more wealth in than Croesus had, or the great Jew R----
is supposed to have, to purchase it. And now do just look at that merry
little Chinese waiter holding an umbrella, big enough for a bed-tester,
over the head of that pretty insipid half-Madonna-ish chit of a lady in
that very blue summer-house."
FOOTNOTES:
[Footnote 4: From "Last Essays of Elia," 1833.]
[Footnote 5: The hays: an old English dance.]
[Footnote 6: Speciosa miracula: beautiful marvels.]
[Footnote 7: Piscator: The Angler--the author's spokesman in Walton's
"The Complete Angler."]
[Footnote 8: Charles Cotton, a humorist of the seventeenth century.]
WHAT IS EDUCATION?[9]
THOMAS HENRY HUXLEY
Public-domain text, read in full here on John Shaqi.
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