On account of various deceits that had become notorious in the craft, such, for instance, as the over-stretching of the material, a law was passed in the first year of Richard III. that ‘tentering’ or ‘teyntering’ should only be done in an open place, and for this purpose public tenters were to be set up. (‘Stat. Realm,’ Rich. III.) We find many references to this important instrument in old testaments. Thus an inventory of goods, dated 1562, belonging to a man resident in the parish of Kendall, speaks of ‘Tenture posts and woodde, 6_d._—ii tentures 20_s._’ (‘Richmondshire Wills,’ p. 156.) The dyes themselves used in the process of colouring are not without existing memorials. In the York Pageant, already referred to, we find, walking in procession with the woolpackers, the ‘Wadmen,’ that is, the sellers of woad, unless indeed, they were the dyers themselves. The more common spelling was ‘wode,’ and when not local, ‘Thomas le Wodere’ or ‘Alan le Wodeman,’ with their modern ‘Wooder’ and ‘Woodman,’ will be found, I doubt not, to be the representative of this calling. ‘John Maderman,’ and ‘Lawrence Maderer’ remind us of the more reddish and popular hues. Great quantities of this were yearly imported from Holland, especially Middleburgh. The old ‘Libel on English Policy’ speaks of— The marchaundy of Braban and Selande, as being The madre and woode (woad) that dyers take on hande. The thickening mill, however, has left us several words of much more familiar import than these—viz., ‘Tucker,’ ‘Fuller,’ (or ‘Fulman’[323]) and ‘Walker.’[324] Among other older forms we find ‘Roger le Tukere,’ ‘Percival le Toukare,’ ‘Walter le Fullere,’ ‘Ralph le Walkere,’ and ‘Peter le Walkar.’ Of the first Piers in his ‘Vision’ makes mention, where he speaks of Wollene websteris, And weveris of lynen, Taillours, tanneris, And Tokkeris bothe. ‘Cocke Lorelle’ also refers to— Multiplyers and clothe thyckers, Called fullers everychone. ‘Walker,’ claiming as it does an almost unrivalled position in the rolls of our nomenclature, reminds us of the early fashion of treading out the cloth before the adaptations of machinery were brought to bear on this phase of the craft. In Wicklyffe’s version of the story of Christ’s transfiguration he speaks of his clothes shining so as no ‘fullere or walkere of cloth’ may make white upon earth.[325] Reference is made to the same practice by Langland also when, using this whole process of cloth-making as an illustration, he says:—