Robbers, bandits, poachers, knights in trouble might thus meet as comrades in the depths of the wood. The forest is the first thought of the proscribed squire in the “Nut Brown Maid,” the masterpiece of English poetry in the fifteenth century, a musical duet of love, full of the wild charm of the great forest, with a well-accented cadence, frequent rhymes and assonances charming the ear as the oft repeated rustling of the forest leaves. On the verge of capture, the poor squire is fain to choose between a shameful death and retreat into “the grene wode.” His betrothed, who is nothing less than a baron’s daughter, wishes to follow him; and then, in every couplet, her lover, in order to try her, pictures to her the terrors and dangers of the fugitive’s life; she may perhaps see him taken and die a robber’s death: “For an outlawe this is the lawe, that men hym take and binde Wythout pytee, hanged to bee, and waver with the wynde.” With this, a thrilling description of the life in the woods, of the brambles, snow, hail, rain; no soft bed; for roof the leaves alone: “Yet take good hede, for ever I drede, that ye coude not sustein The thorney wayes, the depe valeis, the snowe, the frost, the reyn, The cold, the hete; for drye or wete we must lodge on the playn; And, us above, noon other roue (roof), but a brake, bussh or twayne.” {256} No delicate food, but only such as the wood affords: “For ye must there in your hande bere a bowe redy to drawe, And as a theef thus must ye lyve, ever in drede and awe.” Worse even, and the trial becomes harder; the young girl must cut off her lovely hair; life in the forest does not allow of that ornament. Lastly, to crown all: I have already in the forest another sweetheart, whom I love better, and who is more beautiful. But, as resigned as Griselda, the betrothed replies: I shall go none the less into the forest; I will be kind to your sweetheart, I will obey her, “for in my mynde, of all mankynde, I love but you alone.” Then the lover’s joy breaks out: “I wyl not too the grene wod goo, I am noo banysshyd man,” I am not an obscure squire, but the son of the Earl of Westmoreland, and the hour of our wedding is now come.[344] All the fugitives whom the forest received into its depths were not romantic knights, followed by baronesses patient as Griselda and brave as Bradamante. To pass from poetry to real facts, they were for the greater part formidable rovers, the same against whom Edward I and Edward III had enacted the rigorous law for suspects[345] mentioned above. This caste was composed, first of the organized bands of brigands whom the statute calls Wastours, Roberdesmen, and Drawlatches, then of thieves, sharpers, and malefactors of all kinds, of outlaws of various sorts, suffering that civil death alluded to by the lover in the “Nut Brown Maid.”