Of the Romans and the Grecians, we have their history through the
writings of their own historians; and of the Egyptians, by their
monuments teeming with hieroglyphics, history, and theology. Of the
Phœnicians little is extant in writings from their own people; we
are dependent on what other nations have recorded--in fact, what we
know of them may be called tradition. The Phœnicians were termed
“the merchants of many isles.” We can hardly say they cultivated the
arts at home, for wherever they went, there they made their home; on
every island inhabited by them are found evidences of their industry
as gem-cutters--intaglios, scarabei, and seals. I remember how I was
impressed on going ashore at Syra and walking through its beautiful
amphitheatral city of to-day, whose site had once known those very
Phœnicians, examples of whose gems may be seen in my collection.
They emigrated as far west as Sardinia. Sardinia was originally called
Sandaleotis, from its form, which resembles a human foot or its
imprint, where during centuries a moderate harvest has been reaped of
gems emanating from their handiwork.
SOMMERVILLE COLLECTION.
[Illustration: 1810]
[Illustration: 1799]
[Illustration: 1805]
[Illustration: 1795]
[Illustration: 1796]
[Illustration: 519]
[Illustration: 1800]
PHŒNICIA.
To a practised eye their work is distinguishable from that of other
nations; the touch, drawing, execution, and the distinctive character
of their subjects render them readily recognizable. Yet the symbolic
characters are not entirely distinctive, for they often clearly
indicate imitation of Assyrian and Egyptian work and design. For that
reason it is often difficult to decide or classify gem-objects found in
many of the islands once colonized by them, from the very fact that in
design they at times lack originality.
They were a migratory people, and in this brief glance at the whole
range of our subject we shall be satisfied with mention of their colony
at Tharros, on the island at Sardinia, where the most unquestionably
authentic Phœnician Scarabei have been found in excavations made during
the last sixty years. They are principally cut on green jasper, and in
character resemble Persian designs.
In these times we write our history every day on millions of great
pages of white paper. In almost no contingency will future generations
have any difficulty of learning who we were, where we came from, how
we have formed the master metal--iron--into thousands of implements
and instruments, or how they have been employed; being supplied with
our ready inscribed history, they can begin where we have left off and
profit by our experience.
[Illustration]
GREECE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account