REMBRANDT. The Windmill 233 Three Trees 234 Six’s Bridge 237 Landscape with a Ruined Tower and Clear Foreground 238 Landscape with a Haybarn and a Flock of Sheep 239 Three Cottages 240 Goldweigher’s Field 243 JACOB RUYSDAEL. Wheat Field 244 CLAUDE LORRAIN. Le Bouvier 249 CHARLES JACQUE. Troupeau de Porcs 250 Storm--Landscape with a White Horse 253 CHARLES-FRANÇOIS DAUBIGNY. Deer in a Wood 254 Deer Coming Down to Drink 257 Moonlight on the Banks of the Oise 258 CAMILLE COROT. Souvenir of Italy 261 JEAN-FRANÇOIS MILLET. The Gleaners 262 SEYMOUR HADEN. Cardigan Bridge 265 By-Road in Tipperary 266 Sunset in Ireland 267 Sawley Abbey 268 J. A. McN. WHISTLER. Zaandam (First State) 271 REMBRANDT. View of Amsterdam from the East 272 TO THE READER When that most sensitive of American print-lovers, the late Francis Bullard, learned that I was to deliver at Harvard, each year, a course of lectures on the History and Principles of Engraving, he wrote me one of those characteristic letters which endeared him to his friends, concluding his wise counsels with these words: “_Nothing original--get it all out of the books_.”