Engraving: Its Origin, Processes, and HistoryDelaborde, Henri, comte
History
Engraving: Its Origin, Processes, and History
Delaborde, Henri, comte
Engravers -- Great Britain; Engraving -- Great Britain; Engraving -- History
HOLLOWAY, Thomas. b. London 1748; d. 1727. Line. Known
chiefly from his series of Raphael's
cartoons.
COLLYER, Joseph, A.E. b. London 1748; d. 1827. Line and
(Pupil of Anthony stipple.
Walker.)
SHARP, William. b. London 1749; d. Chiswick 1824. Line.
(Pupil of Barak
Longmate, engraver
on plate.)
SHERWIN, John Keyse. b. Sussex 1749; d. London 1790. Line,
(Pupil of Bartolozzi.) stipple, and painter.
BURKE, Thomas. b. Dublin; d. London 1815. Stipple and
(Pupil of Dixon.) mezzotint.
STRUTT, Joseph. b. Essex 1749; d. London 1802. Stipple.
(Pupil of W. Wynne Author of "Dictionary of Engravers,"
Ryland.) "Sports and Pastimes of the English,"
&c.
DOUGHTY, William. b. York; d. Lisbon 1782. Mezzotinter,
also portrait painter. Engravings
mostly dated 1779. Was a pupil of Sir
Joshua Reynolds. Sailed for Bengal
1780, but, captured by French and
Spanish squadrons, was taken instead
to Lisbon.
HUDSON, Henry. b. London; d. abroad; fl. 1782-92.
Mezzotint.
DEAN, John. b. c. 1750; d. London 1798. Mezzotint.
(Pupil of Valentine Prints dated 1776-89 at three
Green.) addresses in Soho, at the last of
which a fire destroyed nearly all
his plates and stock.
JONES, John. d. 1797. Mezzotint and stipple. Father
of George Jones (b. 1786), R.A., the
painter.
PARKER, James. b. 1750; d. London 1805. Line. Joined
(Pupil of Basire.) Willaim Blake in keeping a print shop
in 1784.
SIMON, Peter J. b. c. 1750; d. c. 1810. Stipple.
*FACIUS, George } b. Ratisbon c. 1750. Stipple. Came to
Sigmund. } London in 1766 at the request of
*FACIUS, John }Brothers. Boydell.
Gottlieb. }
MORRIS, Thomas. b. c. 1750; fl. 1795. Line. Engraved
(Pupil of Woollett.) Views of St. Paul's and the Monument.
MIDDIMAN, Samuel. b. 1750; d. London 1831. Line.
(Pupil of Byrne.) Landscape engraver.
SAUNDERS, J. fl. 1772-74. Mezzotint.
Public-domain text, read in full here on John Shaqi.
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